I heard a story that that’s how he actually pronounced it due to an accident he had as kid with a bow and arrow, which, subsequently, would also be the inspiration for one of his early stand-up site gags.
I heard a story that that’s how he actually pronounced it due to an accident he had as kid with a bow and arrow, which, subsequently, would also be the inspiration for one of his early stand-up site gags.
Harsh, Dude!
Why are suddenly all my recent posts stuck in pending approval? Did Jezebel take over The AV Club or something?
I most stuck to the water park side of it. I did the Alpine slide a few times. I could never get on the Go-Garts because the line for that ride was always insanely long.
Loved the Alpine slide and cliff dive but even as a dumb teenager, I had no presumption about going on that deathloop. My deepest, most primal instincts told me NOT to go on that thing.
There was nothing like cannonballing off the cliff dive 15-20 feet into a pool of 55°F mountain spring water.
Like the Bruce Timm version?
I had hoped they’d cast him as the Clock King, a call-back to JLU’s ‘Task Force X’
That’s Wee-ZEL!
I think I’ve seen it on Steam.
Uhhh, which Trick or Treat are we talking here?
No but I’ve been zapped.
Runaway teenagers looking for their big break in LA aren’t exactly a rare species.
It’s sad that we, in this day and age, need a disclaimer on something so obvious.
to clear Washington, maybe
Yeah, I missed it when it was on SpikeTV so I bought the DVD when it came out and when I saw the intro, I was like “What the Hell am I watching??” and then when I saw the episodes, I was like “WHAT THE HELL DID I JUST WATCH??!!”
It’s a hit or miss, depending on your sensibilities.
Bill Murray may have improvised some of his scenes but I’m pretty sure Dan Akroyed, Harold Ramus and Ernie Hudson pretty much stuck to script because I dunno, two of them wrote the fucking script.
Yeah, I don’t understand why people were attacking the actors. Most of the actors did fine with material they were given.
I dunno, if you’re making a big, summer blockbuster reboot of a beloved classic and a 145 million dollar budget, you’d think Paul Feig might act a little professional about it rather than turning on the camera and saying, “Ok girls, be funny.”