Shhh, we don’t talk about that commie basterd round these parts.

Mhhh strange, a few weeks ago my aunt did the exact same thing.

Who? You mean Green Mario?

This year was a fucking dream for me. There’s nothing rarer and nothing I love more than what I’d call “Art-house Horror”, and this year was chalked full of that sorta stuff. Personal Shopper, Killing of a Sacred Dear, Mother!, hell I’d even include A Cure for Wellness, which I re watched last week and was joyed to…

Awww don’t be like that Mr. Cooper! It it makes ya feel any better, I actually though Out of the Furnace was alright

huh? So the only people who can say anything negative about a work of art is another artist in the same field who has made a better work of art?

Yeah actually that makes perfect sense, carry on Mr Cooper...

What if I was aroused?

I’m sure these films are all wonderful, and I plan on seeing em all eventually, but what y’all should really be dragging your butts to see ASAP is “The Square”. If that ain’t the best film I see all year, then I’ll be a deranged monkey man.

GAAAAAH STOP IT I HAVE SUCH TWIN PEAKS BLUE BALLS, WHY CAN’T THE BLU-RAY BE OUT ALREADY?!?!?!?!

Wow, until I clicked on his Twitter, I though this was real....

Either way, Sam Neil is a goddamn national treasure I tell you.

I think someone who worked on a song or two from La La Land did the same on this one, but yeah that’s about the only connection.

I didn’t even know it was out till I saw the article about it under this one. It’s been a whole week and it kinda looks like no one gives a shit

Why the hell is this getting so little fanfare??? I missed this article until seeing it in the recommended stories on today’s Soderbergh article, and the idea that I’ve gone a whole week unaware that a new project of his was out is baffling and heartbreaking.

Is it cause it sucks? Can I only watch it on my phone? Can…

So does Ash just fucking die and that’s it? Please tell me Ash fucking dies and that’s it.

Yeah it’s hard to argue that Darko isn’t the better film, but Southland Tales is just so singular and sprawling, no matter how many times I watch it I always get something new out of it. And where ten years ago the satire seemed aggressively hyperbolic, I’d say these days its politics are pretty spot on.

Christ I do love that movie, probably re-visit it more than Donnie Darko even.

But maybe I’m biased...

Aside from the film climaxing in a huge drawn out info-dump (which Haynes at least pulls all the stops trying to liven it up, though to mixed results), I absolutely loved it. I really can’t see how I saw the same film as everyone who’s calling this out as too calculated and emotionally detached, I found it to be…

Big old piece of crap, I wouldn’t bother if I were you. It’s like a Coen’s movie without a shred of their wit, which just leaves it feeling surprisingly nasty and mean spirited. That’s when it’s not being the most pathetic example of ineffectual hollywood liberal hand wringing I’ve seen in years, of course.

It’s…

Thank you for this, I sincerely needed it....oi what a week, fuck.

Cuse unlike Bong, Wong Kar-Wai let Weinstein butcher his film and release it here in it’s compromised state.