I meant as an actor. He was the morgue technician in the New Girl cross over episode and I don’t think he’s been back since.

He was the highlight of the episode (and maybe the funniest thing this season). He’s a writer on the show so he could come back, but I don’t think we’ve seen Neil Campbell comeback.

Agreed. Andy’s hair was terrible in this episode and it only hurt the Rosa-hair joke for me.

Do you guys work for BPI?

Jamie Oliver never said children were obese because they were eating too much lean meat.

I ctrl + F’d “Ammonia” and this comment was the only mention of it. The issue with pink slime isn’t just that it’s a lower quality meat that they’re trying to pass off as something else. It’s that it’s made using ammonia. That’s why it’s banned in Canada and the EU.

“Tina Fey: The funny little journey that this show had is that it started for broadcast—the first 13 episodes were made and written and edited with the intention that they would be on NBC. And then [then-network chair of NBC] Bob Greenblatt wisely saw that there wasn’t a slot for a show like this—this premise, it is…

If DC had made a Superman movie that was like the comics then they’d have done something that Marvel has not been able to do; create a cinematic franchise with more than one tone.

I’m curious about this too. He seemed like a perfect fit.

But when the first season was made, it was made for NBC, with all the structure that demands.

This was my favourite episode of the final half, but I think it’s emblematic of the problem UKS has had since moving to Netflix; too long and bad pacing. That scene with Fran Dodd bringing back the flag twirling in defiance of his MRA friends was a fantastic scene, funny and triumphant. It felt like the natural end to…

What they need is to superimpose “These are just jokes and do not reflect the opinions of the shows producers” over scenes like these, so people don’t think a show that has consistently been progressive has randomly decided to become some alt-right, incel mouthpiece.

What is it about the 80s that sparked the imagination of TV writers in recent years? The same thing that always sparks it; one thing about the 80s succeeded so everyone just keeps ripping it off.

Time Knife: The Chronicles Of Dean Dangerous

All of this is just style over substance. It makes me angry that something as shallow as the Avengers can be universally held up as a watermark, but a genuinely substantive blockbuster like the Last Jedi, which really thought about what’s unique to the franchise and found new ways to deliver those pleasures can be…

Oh, you will have to end up in LA anyway. But there’s a huge difference between moving to LA to get representation / sell a script, and moving because you’ve already done it.

The only way to get someone to read your script is to get represented which means you need to move to LA and network, often for years. This costs a lot of money.

I’ve always thought it would be a cool idea for production companies to, say, have open submissions 4 times a year for a limited time. That way they can maybe discover talent that the gatekeepers are keeping out while also reducing the sheer amount of bad scripts their employees would have to read if they had constant…

It’s ridiculous that this show is getting overlooked in the end of year round-up. As a sketch show, it was wildly inconsistent (as most of these shows are), but as a political satire, there’s not even a close second place. I can’t imagine the high points of this show ever being matched.

Everyone toured those, almost certainly doing more dates than Ricky. On a guess, I’m going to say he got way too much for his Netflix special, the same reason Dave and Chris are so high (and a big reason more women don’t make the list).