Your take is the prime take, true enough.

This was me. The goofiness of the plot: if Michael is the Red Angel, she’d know that this trap was about to be sprung - she’s basically threatening suicide to make the Angel show up. This dumb-ass plan doesn’t work to catch Future-Michael ... it only works to capture someone else - someone who is very invested in…

Do an article on the larger Marvel/Star Wars corporate philosophy that makes this happen: lawyers. Old properties have to be disavowed as a hedge against future lawsuits. They wreck the EU so they can scavenge the best parts, and change it enough so they won’t get sued. They can add Mara Jade back into canon, but…

Joe Johnson directed The Rocketeer too.

It looked like Frewer was in one of the D+ sizzle-clip promos too. So, either it was him & maybe he plays Pasquesi’s character’s father ... like Dad is the mayor and the envoy is his son. Which would be wonderful.

Hard swerve into Footloose territory. 

If they can bring in one more that’s on par with Superman & Lois and Stargirl, then they can justifiably claim they’re improving - by ending the old guard and replacing them with solid stand-alone series.

Or there’s contract commitments that need some tying up once these shows go off the air. Or - better yet - All the actors in this crossover are rep'd by the same agency ...

First watched Super Dave on Showtime's Bizarre with host John Byner. Super Dave was my favorite skit - that and the tear-away t-shirt slogan battles that always ended with a woman going topless. 

If the Academy nominates 8 or 10 pictures, sure, let it make the cut. Among the top 5 though? Eh....idk.

Did I miss something? When did this scene happen? Ep1? I don't remember it.

It was a good clip while it lasted. 

Yeah, no Covid and these shows each go up a half grade.

I read all that in her Russian accent. Props.

There’s an old Hollywood axiom that goes back pre 1940's - maybe it’s a theater acting trick too for that matter that goes back forever: No matter who your scene partner is, flirt with them a little.

If only they could have hit one of the Tucker or Hannity banners with an acid arrow.

Fisk's bad luck fighting Kate in an FAO Schwartz teddybear playland.

The use of Kingpin here was admittedly good in the run-up to the reveal, but then underbaked in retrospect. If they had revealed him in the Maya flashback, and clarified his involvement in everything, it might have made the end fight(s) more impactful. As is, though, I think Disney has played their…

My guess is she shot him in his bad leg.

Sad lament for The Expanse: it could never catch a break on these end-of-the-year lists because its seasons largely began in mid-December and ran into February (at its longest). It was always either too early to include, or too old to remember. Don’t know where this final arc will land within the show's run. I think…