So-Meth-Ing [n.] slamming methamphetamines while listening to the song "Do Re Mi" from "The Sound of Music"

Better Thaw Saul

"Without getting into too much detail, a big event a few episodes
completely shifts the show on its axis in unprecedented fashion."

But I wanted it to go on and on and on where he kept making puns and implications, like:

They should have used the scrawl across the bottom of the screen they were using for the Oscar thank-yous to explain who the fuck Stacey Dash is.

So they couldn't find a terrible performance by a person of color?

You should have pretended that you had a stroke in the middle of that last sentence. Then anybody criticizing that hanging comma would feel really bad.

Yeah, I'm baffled by the overpraise for “Everything Will Be Okay." If there's such a thing as "Parental Torture Porn," "Everything Will Be Okay" is it. It, indeed, ultimately has nothing to say other than "parents without custody kidnapping their child is really messed up." The performances are fine, but the pacing…

"I would really not mind seeing Quinn, Huck, Fitz, Eli, Jake, and Lizzie
all die. It'd be a pretty badass season finale if they were all trapped
in the same building and it blew up, or something."

Me, I'm waiting for Neil Gaiman's Anansi Drew.

Kazaam, the series.

Wasn't there an episode where we spent 50 minutes watching Doug Stamper morosely leafing through a phone book? It felt like it.

This show's specialty is taking likeable actors and making them unbearable. See, for example: Joe Morton, Tony Goldwyn, etc.

Well, the context was that back when Basic Instinct and particularly Cruising were protested, pretty much the only images of gays that were being presented in mainstream Hollywood films were A) serial killer B) suicide or C) pathetic joke. The sheer ridiculous number of those presentations was chronicled by people…

Hell is for children. Or, if Jean-Paul Sartre married Pat Benatar, the saying would be "Hell is other people's children."

The one thing that would indeed make this "hip and cool" [to quote the CEO] is if each store offered only an old squinty-eyed sailor who did nothing but old-fashioned mermaid tattoos.

It's sort of like The Brady Bunch, if that ended really, really badly.

Oh, ok, thanks. It throws me that excepting early on, when we once even got a scene or two with Aaron and BF, Aaron NEVER talks about his BF, not even in that subplot where he spent the whole time risking his life to help with Maggie's angst over her husband. It's weird that his BF has become a kind of "Where's…

Yeah, but that seemed pretty vague, as in "did somebody try to set fire to the walkers and it backfired" which sort of seemed like the implication there. If the show was trying to convey that zombies are suicide-ally drawn to fire, then A) they didn't even do a good job making that clear in that previous episode and…

Didn't Aaron have a boyfriend? I think I must have missed where we found out what happened to him. Maybe I don't recognize him, but Aaron doesn't ever seem to be holding on to or in any way romantically near anybody else that i can see, and he never expresses any fear or worry anytime recently (at least that I…