Is it Hersh and Carter running the B&B? I can't find the original post
Is it Hersh and Carter running the B&B? I can't find the original post
Last scene of the show, Shaw walking Bear, payphone rings, she walks past it. Next block, another pay phone rings (insert iterative loop) She finally answers phone:
"Hey Sweetie. Did you miss me?"
Aww, Hersh… to absent Assassin Dads [lifts gun into air, fires]
During west coast airing of 6741, SS live-tweeted. At the Bear/Shaw sim reunion part, tweeted "…we've been thru so many Bears…". The off-handedness of it was amusing
Are you…looks around…my supervisor?
But she was appropriately fetishized as Ghost Whisky, keeper of the empty Dollhouse and its secrets.
I'm sure I did but don't remember. What I DO remember is guffawing through Smile Time then yelling Noooo (slow motion style) when Wes and Fred kissed-knowing one of them would be a goner.
"Puppets," they said. "Funniest Angel ever!" they said.
Of course. Shaw uses her guns to clean guns. And often bares arms when bearing arms. With Bear.
Reminding me of my favorite Reese line of the whole series: " I've lost people before so when I care about someone I put a tracking device on them."
1) Define happy - your version of a happy ending. What would make you happy to see.
2) Now have an imaginary conversation with the fictional character (s) you've come to love (who live in their fictional universe) and ask them to define it.
3) Whose happiness do we really want when we want LGBTQ characters to have a…
AA and SS have said it depends on the writer, some believe differently than others, and they often rehearsed a scene as if it's happened and then as if it's not to see what works best. They've often mentioned David Slack's assertion that it first happened in the CIA safe house.
Was comparing Root to Shaw elsewhere, how Root is cerebral, Shaw the physical warrior. Same parallel could be made to Reese and Finch. But the way you spoke of Harold living in his interior world, action not being his default took back to the chess game and the paradoxical way it was presented in the story, or that…
I watch The 100, and agree on thematic scope. But from the first episode, I've been frustrated by the choppy narrative. Start at A, arrive at D, with no journey/why/how in the middle. Then again, I'm probably not the target audience.
Yes and Faith's involved somehow, right? Please note I wasn't Whedon bashing re Fred.
Love his Much Ado. I actually like Benedick and Beatrice much better than Fred and Wesley. Fred needed someone better than Wesley or Gunn. Neither of them truly respected her strength.
Shaw's been killed enough. Leave Shaw alone. Give Shaw a sandwich and some Scotch and a mission.
Especially fresh out of a Samaritan black site. They've communicated that's she's not all the way back. After Fusco walked in, she didn't bring her gun down until Root intervened. Which was sort of adorable— Root just casually, sweetly, redirecting her.
I'd upvote you more than once if I could. That's the great thing about forums- room for nuanced discussion and accountability, as opposed to hit and run on Twitter.
Remember, she hated Root in real life in the beginning. "You just kept bugging me!" Maybe Machine Root will bug her too. At the very least, we know she'll protect her.
I think an argument can also be made that whatever relationship RootTM ends up having with Shaw (assuming she survives) may be more sustainable than what those two human beings could manage in real life for a prolonged period of time.
Wasn't Reese supposed to be the one who died in S4 but that plan was put on hold when SS had to leave? I've read that somewhere