Yeah, I like how Platinum Games responded with the most substantive answer, actually citing upcoming games and trends.

But we still need Pokemon Cyan and Magenta to complete the color wheel!

Very nice lighting work! Needs more in the way of small details if the intent was to go for absolute realism, but it's definitely impressive.

"but why create a scenario where you can open fire on a crowd of civilians."

Does anyone actually use that anymore?

I'm not sure if the entire situation is necessarily reminiscent of Death Note, though certainly DN is known for its insanely complex schemes. I don't think Kira (mirrored in this case presumably by the hacker) would leave an apology message or plant such potentially traceable or tangible evidence...

Following it a bit more, I'm not a fan of Kamiya's responses either.

We both know how completely different Pokémon, a turn-based RPG, and Street Fighter, a lateral fighting game, are in terms of gameplay.

So you'd definitely recommend the the Wii U version over the PC version?

If any of the big three continue to make traditional game consoles past this new generation, it'll be Nintendo.

Can't go through an article about a best-selling videogame console without someone talking about another best-selling videogame console.

Hahaha nice.

Rabbit was actually the easiest for me next to the first three. At least he throws straight pitches... I'm at Owl now and can't seem to catch a good break. I have no problem hitting the ball, but with how variable its angle can be I have no way to direct it to the sweet spot on the bat — most pitches are hits or fouls.

Or you get stung by an angry horde of hornets.

The oft mentioned Gaseous Snake is finally revealed!

Yeah, most of my work has been with H.264. At least most NLEs now support regular playback of the files instead requiring the extra time and space involved with transcoding.

But... hasn't that always been an issue?

Fair point, though there's no indication in this article that there's actually more to the comic.

Well, there's nothing inherently better about more pixels when it comes to color correction. Conceivably, you could have an 8-bit 4:2:0 H.264-compressed file at 40Mb/s or so and it would still be just as bad to grade with whether at 4K or at 1080p.

Source material? Just about every film brought over into a digital workflow and scanned in 4K resolution (a lot of them).