If a punk band had the name "Fuckable Chewbacca", I'd follow them to the ends of the earth.

He should be flopping around, like he hasn't quite grown into his massive paws yet, just like a puppy version of a big dog!

You just failed the geek test.

True, but they should have had the common sense to not recreate all aspects of the stories that inspired them, most especially those that were horribly racist.

It has lots of wonderful individual moments (Belushi flying into the street, the crying at Dumbo scene, the ferris wheel coming loose) that keep me from hating it, but as others have said, it is indeed a mess. And often strained in its humor.

I'd vote War Horse. I disliked everything about that fucking horse and the people that loved him.

I 'd go further all the way to when they arrive at the village because I LOVE the raft-out-of-the-plane idea. Such a fun concept for an action scene.

i just rewatched it last week for the first time in years and that dinner scene is maybe the most offensive thing in any Spielberg movie. It's still a fantastic action movie, but the idea that, of all cuisines, Indian food is something gross involving snakes and monkey brains, is insane to me. And this was in 1984 -…

I know everyone else here will argue for the Bond film over 300, but I'd go with Crank all the way.

"Those tracking shots are not astounding."

A History of Violence is really good at making the violence both totally awesome (the staging in the first diner shoot out is astounding) and totally unbearable to watch. That Cronenberg guy really knows how to make movies.

"That's impossible. That's inside the dispensary!"

I consider this a betrayal.

Someone really should put a tracker on Woody Harrelson to keep this sort of thing from happening.

Softly, in the distance, we hear the sounds of Vonda Shephard…

Seconded. Orphan is awesome and that twist absolutely works in that film. I could not stop laughing, in a good way.

I think this every year.

It should have been nominated for best comedy. That show is so underrated.

I'm still pissed that it got relegated to being part of the whole French Extremism wave, as it's working on a completely different level than even the best of those movies. Denis applying her style to that kind of story works wonders.

Though both can be brilliant on their own, adding Christopher Doyle to a Jodorowsky film seems like serious overkill.