Thank you Sony!

Rabin is back.  A flop was bad.  Alls right with the world.

If Ignatiy came back, I'd genuinely crack open a wine bottle.  Same with Caroline.

Were putting the crew back together.  Now... Contract to Kill review guy!!!

Oh she could have done that role absolutely. 

In that case I concur that's the best timeline.

I want to second that this is a very well done piece.  There's never a bad time to talk Audrey Hepburn films and I think the Donen films are a bit underrated compared to her more high profile fair.  

Im such an Audrey fan that my middle name is Audrey.

Everyone also casually get murdered in rather gruesome ways that always stand out. 

I always love when Audrey gets to play less standard roles.  Wait Until Dark is fantastic and pretty grimey compared to Roman Holiday.  She had an impressive range.

I thought it was the otherway around.  Audrey finding it acceptable since she was tired of having to be the passive love interest of waaaaay older men.  Love in the Afternoon is alright but Gary Cooper does not sell it whatsoever for example. 

Two For the Road is a very well done end of a marriage film.  Its also maybe the only role where Audrey plays a more antagonistic role.  She has a scene where she basically threatens a child and its great!  Only downside, is the barbs her and Finney throw at each other really does make it feel like a collapsing…

For the record, Hitchcock wanted Hepburn to be in Marnie. Since the role required the character to have a rape scene, she turned that down for obvious reasons.

Otto is a snake but he knows good PR.  He basically did the Emmett Till funeral and its a smart choice. 

He was hysterical in Forgetting Sarah Marshall. 

No disagreements.  I'd have much preferred a different theme composed by the same composer.  But it seems that ship has unfortunately sailed.

Utterly strange that every couple episodes in season 1 and now 2 we must be reminded how this ultimately means nothing, Prince that was Promised, Nights Watch, The Wall.  

Can I just say the intro is waaaaay better now? I get the whole bloodlines angle last season but it was fairly bland. This? They went with a semi Baylax Tapestry kinda look and I’m a real sucker for that.

When I first saw the original film, I thought, okay the parents are very masculine and feminine and Riley is like a tom boy so a mix of the two.  That's at least where my mind landed.

Just you wait for Inside Out 5, where some of the emotions being male and some being female finally becomes a plot point about gender identity....