billboynotedgobshite
billy boy, noted gobshite
billboynotedgobshite

That would be awesome, though the waif's training seems to have been pretty extensive (as shown by her dropping the staff and beating Arya bare-handed). At this point, they're so unevenly matched that it seems likely Jaquen will step in and save Arya at the last moment. It will be the waif who has disappointed him

The waif dies, but my guess is it's Jaquen who kills her, saving Arya at the last possible moment. The waif's fighting skills are far superior to Arya's, and any reunion with Nymeria will have to take place in Westeros. It's the waif who has disappointed Jaquen by becoming emotionally involved (as shown by her smile

I wush going to shay Sean Connery

I think you could cobble together a legitimately great album out of Empire Burlesque, Knocked Out Loaded and Down in the Groove. Track list: Someone's Got a Hold of My Heart, When the Night Comes Falling From the Sky (Bootleg Series version), Something's Burning Baby, Dark Eyes, Brownsville Girl, Sylvio, 90 Miles an

Wow I'd put Tempest in the bottom half of his albums. "Long and Wasted Years" and "Pay in Blood" are really the only songs that I like, the latter primarily because it's just so insane. Still, I respect your opinion.

When I used to introduce people to Dylan's voice, the mid-70s voice was the easiest to sell. He was in his mid-30s and full of cocaine, so it's both powerful and sort of dehydrated. In 1977 he had a divorce and began singing differently, more nasally. I can hear the Rolling Thunder voice in some live recordings

Yeah to me the Hard Rain versions of "Shelter From the Storm" and "Idiot Wind" are the best versions of those two songs. Very underrated album.

It's a great version, but the Love and Theft version is my favourite just because of the way he delivers the line "I crossed that river just to be where you are". On paper it doesn't seem like a great line, but holy crap he nails the delivery of it on the Love and Theft version so well that it feels like one of the

His vocal performances on Slow Train Coming are so intense that the album is actually one of my favourites, even though I am not Christian. The title track, "Change My Way of Thinking" and "When He Returns" give me goosebumps every time.

Covenant Woman live in San Francisco 1979 was so, so amazing that I can't listen to the album version.

I was disappointed the show never showed Roose being leeched—I always thought that was a nice touch for his character in the books. Maybe it's too easily confused with kingsblood leech magic though.

Yes well the showrunners' decision not to torture her might have something to do with last year's HOLY SHIT CONTROVERSY.

I also hate that she's dead, but I was relieved it wasn't a big drawn-out torture-fest. She got the best death one could hope for from Ramsay. R.I.P. Osha the human raccoon.

I think it's a Greek fisherman's hat.

I'm with you on the caterwauling. I like his voice a lot when he's singing in his natural range, but he has a tendency to push his voice to the very top of his range, and when he does it's grating to me. Lots of people love it, and to each their own, but it does remind me of cats, specifically, cats whose tails are

Please always use this picture for Willem Dafoe newswires.

If we still had an awards ceremony I would nominate you for something or other.

Agreed. "Jezebel" and "Freedom Hangs Like Heaven" are as good as Iron & Wine gets, for me.

It's good that he put all of his "naked boys" songs on one album, though.

Jungle Book 2: The Unnecessities