bigfatdynamo
BigFatDynamo
bigfatdynamo

This is by far the dumbest pun thread.

Due to a recent release by the band, I have been revisiting a love affair with Superchunk. Seriously, “Like a Fool” is a perfect fucking track.

hell yeah time to get sad and think of exes and shit.

Sugar Blue is killer top to bottom.  I listen to that on road trips a lot.

*looks down at cargo pants*

Yeah, it’s not bad! If you’re stuck listening to it with your kids, it’s definitely the highlight. I guess that’s why they call it “dad rock.”

You’re quite welcome. I believe she also choreographed David Byrne’s performance in the “Once in a Lifetime” video. I attached C & P because it’s less well-known.

It’s almost as if Sam Barsanti, who wrote this article, is not the same person as Alex McLevy, who wrote the B+ review you mention.

Because the HoF is a money making scam and nothing else.

Asian person here:

When do we get this level of analysis for TMBG’s “Flood,” which was the most impactful album of my youth and therefore should be of interest to everyone?

I’m still pretty sure “The Act We Act” is in the “Top Ten Best Opening Tracks of the 1990s,” along with “Airbag” and “Summer Babe.”

“Cece Peniston”

The early 90s were formative musical years for me. And here is my Sugar story:

Now playing

She’s choreographed a number of incredible and innovative videos/performances:

Talking Heads, “Crosseyed & Painless” (1980)

Based on the lead photo, he looks like he’s almost done taking an epic poo.

A Blaffair to Rememblack

Boogie Nights had Mark singing Stan Bush’s “The Touch” from Transformers: The Movie too, which was the completely out of left field moment that I unconsciously stood up and cheered, much to the surprise of everyone near me and me.

An American Werewolf in London did have lots of fun with the “Moon” songs, though god that final cut from her weeping over his dead body to the jaunty opening of “Blue Moon” over the end credits is weirdly devastating.  

sounds like some sort of Catholic birth control.