2 questions. 1) Could I skip season 1 and still know what’s going on. 2) Isn’t this just Quantum Leap with Superheroes (cross fingers in hope that the answer is yes).

Is she?

Though I would say the Jay and Silent Bob movie, as much as I loved it, feels a bit dated re-watching it now as there as just so many references to specifically 90s things (Shannon Elizabeth).

Fair enough.

How can you do an article on pop culture references, talk about the 90s and not mention the output of Kevin Smith? His movies are like a quick trip through how to use and then over-use pop culture references.

Or having just watched Godless, could see Michael Docherty kicking some ass

I’m going to put out Sarah Polley. Or maybe Rosamund Pike.

If you can give humanity to someone who melts feet with their own vomit than you deserve an Oscar.

He is pretty much the, ‘see I told you so’ guy. But if he’d been played by someone less charismatic than Goldblum I reckon he’d be a forgotten character.

It’s something that could have been done by someone else as a minor character- Sam Jackson springs to mind. The computer guy hired to control the park security knowing that everything has a failsafe,back door, that there’s no such thing as a perfect system etc.

To be honest, he doesn’t drive the plot. It would be easy to get rid of him. Honestly, though, wouldn’t it have made more sense to merge him with the lawyer character? Also think he adds bit of tension between Laura Dern and Sam Neill, and just some randomness.

You have to set up your own. Just get lots of people to confess their biggest sins as part of a way to cleanse themselves and become better people, then use that information to blackmail them. It’s actually pretty easy.

Sounds like New Mutants will be a mess and Bohemian Rhapsody might be good enough for a run at the Oscars.

I’m interested to see how they kill people off. The Marvel universe is largely bloodless and to kill an actual superhero is going to take some doing.

Anyone else annoyed this wasn’t an East London set tale of life in the shadow of Canary Wharf?

Always thought that introducing people to Sherlock via Hounds (which was how I came to him) is a bit misleading as the story is a it of an outlier. Especially the films, which play up the gothic horror. The other stories, visually at least, seem tame in comparison.

Maybe she prefers TV work?

Looks like it’s got touches of Lebowski, Nice Guys and Kiss,Kiss, Bang, Bang - if it’s only as tenth as good as those it;ll be worth a watch.

All this talk about female directors these days and Mary Harron never gets a mention - took a tough book and did a good job but hasn’t done much film since then. Lot of good TV work. Be good to see her do something on the big screen again.

Possibly, but my reading was (and it’s been a while since I’ve seen it) that it wasn’t that he was imagining it but that either Willem Defoe and witnesses had confused him for someone else as they all looked the same or that it’d been brushed under the carpet because of their wealth.