If I got it right, they'll first bring back Ektachrome to Super8 and based upon those sales figures, Kodak Alaris will see if it's worthwhile also bringing it to 35mm still by the end of the year. But don't worry, each format version will be available globally, it's just that the new company Kodak Alaris is…

Nope, never existed. The cameras were only geared towards a format (Regular8, Super8, 16mm, 35mm, 120, etc), not towards any particular stock. Well, some were designed to only recognize a limited amount of film speeds, but that has nothing to do with Ektachrome.

Or maybe *IN* the package?

Uhhh…there never was such a thing as an "Ektachrome camera".

A-class.

It's the 35mm that's the gimmick. The new Ektachrome will be released first and foremost by Kodak USA for Super8, and only later, Kodak Alaris in the UK will try releasing a batch in 35mm to test the commercial viability on the still market.

Blue cast only in the shadows, as it's a slide film that requires lots of light. I've shot Provia at the same ASA that has a lot more reserve in the shadows, while with Ektachrome, it's BOOM!, too dark. But today, you can fix the shadows in the scan. The mids and highlights are really worth it, especially if the new…

1. Baron Munchausen
2. Brazil
3. Monty Python and the Holy Grail
4. Time Bandits
5. 12 Monkeys
6. Fear and Loathing in Las Vegas
7. Fisher King (you get it right, it's not necessarily one of Terry's best, but certainly way above the usual crap they're pushing on you)