For me personally, it's the one that's along the lines of, "I've been in enough war zones to recognize what a mass grave looks like." In context, it's just so absurd for this sort of film to make that kind of comparison.

I think stone slits is a separate category. I mean, I don't see Spicoli getting laid throughout high school.

C'mon man, all that and no stoners? What high school did you go to?

From the alternate review: Haim Saban is a total visionary of a producer who really knows what people will want. It's fun for you and me. Better go, go, go to see Power Rangers.

I think the trailer features a bit where a character explains that the company they work for is a non-profit that provides consultancy for businesses starting up in Latin America. Thus, it makes a little more sense to have a base in Colombia.

One of my friends, who isn't a big fan of the original, won free tickets for an advanced screening last week and he liked it more than the first one. For whatever that's worth.

And Russia, which probably is doing it as much to display more anti-American displays as much as the genuine homophobia that's prevalent in the country.

At the very least, it does mean that a Criterion Collection release is imminent.

I mean an actual episode of Scooby Doo, not this film, which does indeed end the way it does.

It's a fucking disgrace that the man hasn't been nominated for an Oscar once.

Sorry, was trying to clarify that what the film's tone was overall.

Marc Webb does have this coming out: http://www.imdb.com/title/t…. Whether it'll satisfy your desire for a film like 500 Days Of Summer, I'm unsure, but it is smaller.

If true, then CBS can well and truly fuck itself.

See right above you.

Yeah, more white characters die than POC's, which is truly stunning.

I figured it wasn't. Still, I find it hilarious that I was able to note the early appearance by Michael Imperioli but somehow missed Samuel L. Jackson.

True, but her one line where she's like "I've been in enough war zones to know what mass graves look like" was the point where my friend who I was seeing it with looked askew at me and I just about cracked up at it.

I personally liked Hiddleston here more than Pratt in Jurassic World. Neither are great, but I Hiddleston felt smoother and less strained to me than Pratt. Of course, that might be because I mostly like Pratt in less self-serious mode. John Goodman's character ends up amounting to nothing, but he's still watchable,…

She's mostly named that for one scene where the men are like, wait a minute, you're a gi-gi-gi-girl!

I mean, that's pretty much every film ever made right there.