More comic relief, but he does actually get pathos and his character is the only one who has a bit more of an emotional journey to his story than just everyone else's need to go home.

The tone's way more lighter than Batman V. Superman.

Of those two, it's really mainly worth it for Reilly. Larson just doesn't have much to do in the film. Bit of a waste of her talents.

True, but sometimes, you gotta let another actor give it a go and JCR does have a good line delivery for it.

Mothra is awesome, don't you be denigrating Mothra right now. Plus, she has the cutest twin fairies as her guardians.

I'm a little unfair, as he just didn't say as much as the other two. He still came off as a very nice guy, and, as crackblind says below, he did take over at the end and actually opened the floor for questions from the audience at the end, where the event was planned for just questions from the moderator and questions…

I also don't remember Jackson being in it. Will have to look for him next time I see it. He also mentioned that he didn't have a trailer, so at times he was waiting for his scene to be ready, he'd be waiting in mobsters' homes and hearing from the actual dudes who interacted with the real life guy Jackson was playing.

I mean, the fact that it looked at a certain point like the live stream was going to consist of nothing but buffering meant I was okay with the audio and video not syncing up, since I at least got to hear it. The Alamo definitely has some issues with technology, as I got shut out of being in the theater with the…

Because John C. Reilly had his turn to say the one fuck allowed in a PG-13 film.

I had a lot of fun with this. The biggest complaint I'd have is that Brie Larson really has so little to do here. Doesn't help that she gets saddled with the worst line of the film. But the monster action is really well done, so it's worth it for that at least.

No joke, as Dowd alludes to in his review, Jackson actually says that in the film.

Oh man, having a scene of a dog reacting to a kid cursing might very well open up the nexus of hackitude.

Got it. Sorry for the quick assumption that everyone who works on a film must have been on set.

Any interesting stories from on-set, or was it pretty drama free?

The Nolan theory will be tested with Dunkirk, the first non-genre film he's made since the Insomnia remake.

I saw Heathers recently after not growing up seeing it. Totally works. Wasn't too hot on Donnie Darko. And Election I only saw while a Freshman in college, but I dug it a lot then.

Correct, even when Inception was nominated for BP, Nolan didn't get a nod for Best Director.

I wouldn't go so far as saying it's massively depressing, as I do believe that getting released in the world to be seen is not something to despair about. But I do personally like Amazon more for being willing to release their films in theaters and actually do pretty good efforts into expanding their films pretty well…

While there were a lot of awful celebrity deaths last year, Anton's seriously hit me the hardest, as he was so great and just so young, only a few months older than myself, that it seemed like we'd have so many awesome performances to look forward to. Now we just have some posthumous ones.

Fair. Still, even if you couldn't figure out what it was, it'd still stand out more than Collide does.