but is it really Shin-chan without the dick and butt jokes?

Whenever they get around to making a real FF movie, assuming that Krasinski is indeed not cast as the “real” Reed, they should still have versions of him pop in through multiverse portals every so often only to be immediately killed in increasingly absurd ways.

Remember when Kotaku wasn’t just a video game site? Remember when Kotaku covered anime? Japanese snack foods? Nerd culture in general?

*pushes up glasses* It’s actually an interesting fail. The Spidey robot locked up which must have been an issue during testing. It probably happened enough times that the Imagineers planned for it, so the show has alternate dialogue in case it occured. The breakaway wall also allowed for easy replacement to get…

Leia was bait and had to be convincingly scared so Obi-Wan would feel her through the Force.

It also helps that people know where the dividing line is. If they want to treat Volumes 1-41 as “Actual Berserk” and 42+ as “the best we’re ever going to get short of time travel,” then that’s not too bad.

HxH is about to come back again, incidentally.

I have so many second-hand mangas of lesser-known artists that have series of only a few volumes, tragically cut short because of editorial fiat. 5 volumes of build-up and then BAM! the story is finished with so many unresolved plots.

Mori does have the skills. At least I believe he does. Holyland and Sousei no Taiga demonstrate that much, I think.

Mori’s a good one. Holyland is fantastic, and his current work, Sousei no Taiga, is pretty damn good too.

It’s a nigh-impossible task to fill Miura’s shoes, but if anyone deserves the chance it’s Mori. Knowing the rough outline for how the rest of the story was supposed to go is good, but also more or less a prerequisite. But his close friendship with Miura should give him a good idea of how Miura would have told it. And…

“Art is fire plus algebra.” That’s a quote credited to Argentine writer Jorge Luis Borges. Basically the idea is that in really great art—and, by extension, storytelling—there is an almost mathematical precision to decision-making. Yes, much of artistic expression is about feeling and emotion. But plugging that into a …

https://auto.howstuffworks.com/car-driving-safety/safety-regulatory-devices/seatbelt4.htm

I’m reminded of Tarsem Singh’s “The Fall”.

VFX for film and television, artificial environments for green room shoots and LED walls, that’s where this is going.

NO ONE SEES THE NETFLIX STATS! NOT NOBODY, NOT NO HOW!

Stupid, stupid rat creatures.

That trial of the gods scene was so damn stupid and ultimately unnecessary that I still keep cracking up about it.

He's not even the most annoying character in Temple of Doom...

I love how well they nailed the rain on the windows, but I can’t help but be disappointed, by comparison (especially because the effects on the windows are so good), by the generic puff clouds coming off the back of the cars - especially when those are still there through most of a couple of those tunnels, where the…