ugh, yes. i almost forgot about his cameos. rule number 1 - no writing. rule number 2 - no getting in front of the camera.

exactly! let him deal with a slice of the visuals, but keep him away from the plot. they'll be fine and might even pick up a few viewers for the name recognition.

idk if any other show could have this moment: judi dench and 20something jack o'connell, practically sitting on top of each other, flirty as all hell. then graham pulled up a screenshot of jack from skins with giant sexually suggestive tattoos on his buttcheeks.

i try to be conscious of anglophile snobbery, but the british chat shows i've seen have been far more entertaining than what we have in the US. just the one minute of riz ahmed confronting alan carr on talking throughout rogue one, alan admitting he didn't get the movie, and diego luna threatening to walk out "what do…

i just watched the big fat quiz show(?) and basically the entire panel called him a seal. among other things.

i get that nebula's basically an android assassin. just the way karen moved felt like she was on a photo shoot rather than playing a character.

translation for the non-brits?

i wasn't fond of her attempts to act robotic and found her pretty forgettable, but i didn't hate her.

it's a bit weird. much of the reason his name is so well known—while i don't even remember the other dude's name after having just read it in this article—is he totally capitalized on having been in a ridiculous show and not having much else going career-wise. he had a sense of humor about it. at least he seemed to.

was ant man not his comedic breakout?

these shows should take pointers from lost, person of interest, and battlestar galactica. plenty of stuff going on, but the people going through it mattered.

it's almost like putting marginalized characters in your shows isn't enough and you actually have to write good material for them. gasp!

the latter is an issue i'm having with the expanse. explosions, political intrigue, culture clash, a galaxy on the edge of war, and a missing woman mystery with a film noir twist, but i have a hard time figuring out why i care. there are so few sympathetic characters.

they did a whole takedown of people who like ayn rand in the beginning of the second season. politics have been showing for a while.

but i love that it seems he's never not working. whenever a show ends, he quickly moves onto the next thing.

dissenting opinion is fine. outright hate is baffling.

the reason that's an uncommon opinion is you're expressing it where elementary fans gather to talk about a show they like

i highly recommend the first season. it had very clear and satisfying plot progression and character and relationship development. after that, they leaned much harder on the case of the week format, though the first half of season three was sort of a return to form.

the post-oscar career of cuba gooding jr proves some americans have lower standards than they do bills to pay.

that would explain so much about so many. for example, terrence stamp in the haunted mansion.