I saw Clitoyster on their ’93 tour!

Well, East Coast / West Coast hip-hop antagonism was pretty str—

Does the record have a side that ends with the four-note sax theme in a locked groove? If not, then no sale.

I can’t think of Full House now without thinking of Neil Cicierega’s Mouth Sounds.

Shock G might have some free time.

I recall some cable entertainment show (on E!, I think) that recounted the week’s box office numbers in lire.

I liked the Drums’ version better.

“Freddy Kroeger, aren’t you supposed to put those records in or on some sort of player? Chad can’t listen to a sleeve!”

“Doobie Decimal System” is a bad name. “Doobie Decibel System”—which is what the logo actually says—is slightly clever.

You are correct.

The foundation already has a non-mobile version on Charlottesville’s Downtown Mall, which is properly a monument (albeit washed off to a blank slate periodically). I think the mobile version would make sense for communities where people don’t feel as if they can express their concerns and be heeded. I doubt, however,…

I lived in Charlottesville over one summer and one year and wrote/drew on the stationary “free speech wall” many a time. It’s a fun thing—loads of super-serious messages mixed with the sidewalk drawings of little kids. I usually wrote inside jokes.

This song takes me back to the year I turned 14, watched too much Total Request Live, got interested in Big Beat and other electronic genres, had my first date seeing The Phantom Menace for the second time, recorded silly songs with my little brother, and kept a summer journal for the first time.

BEEFSQUATCH!

Sharfted?

SHART THROUGH THE SHART
AND YOU’RE TO BLAME

The Real Frank Zappa Book may be the only non–Calvin & Hobbes book I’ve read five or six times.

Pheeeeeuww.

WHERE’S ROXY?

Nnnnnnnosrep elttil yttihs
Evila erew uoy fi
Evivrus uoy dluow woh
Riah ym fo htgnel eht tuoba htuom ni’f ruoy tuhs
Erac t’nod uoy yas uoy erofeb dnuora kool a ekat
SNORK SNORK SNORRRK