If you have some data showing what Netflix ratings are, I'm sure the rest of the industry would love to see it.

3. Netflix can be truthful in their desire to take more big swings and still decide that this particular show isn't the one for them.

They can say whatever they want, but that show was expensive as fuck to produce. and Considering Netflix does not make any publication of ratings, my money is on the math not working out for keeping it.

Again, no one is arguing that. Sunny is just suggesting that maybe mob demand for his firing doesn't fit the crime.

You voluntarily go on television and devote twenty minutes to your own failure, and see if you're able to avoid being a little defensive. It's a natural human reaction.

I was never a dog person, still really wouldn't say I am, but we got a Jack Russell Terrier a few years ago. She might be at least half insane and even more stubborn than either my wife or me (no mean feat), but holy crap do I love that crazy little monster.

Does Travis lie about that dream before or after he finds the door open?

Damn autocorrect. Upvoted.

The problem was putting Robin and Ted together. It's a dumb idea.

Marcel's ballsy, but I'd be surprised if they courted that big a firestorm.

Yes. His reaction to her shirt slipping to show the barest glimpse of extra skin, and her noticing, was a really good bit of acting on both their parts-not to mention the directing, and it would've been ruined by adding dialogue any near that same vein.

What was the answer? Because holy crap, how do you even respond to that?

One of the strengths of the recent Marvel films is their willingness to really play with tone and style, even if they do inevitably drag it back into the formula of quippy hero and overlong 'splosiony final battle. The best films have really. It loose in ne directions (Winter Soldier, Dr Strange, Guardians)

Look forward to your thoughts on It Comes At Night. I saw it last night as well.

Ambiguous would be more than one way for something to happen, up to interpretation. This moment has literally no satisfying or justifiable way it could have happened, as presented. They literally say "there's only one key and I carry it" and then don't show anyone else with the key, ever. They even make sure that…

Which only goes to support my contention that the only real reason we keep the death penalty around is to mete out revenge.

Grief. Sadness. Regret. This is really not a horror movie in anything but the imagery

I didn't mind that it wasn't a horror movie (though holy crap are those trailers ever misleading), but I do kind of have to take issue with th "smart" description. There's just a couple too many hand waves in this for me to give credit on that front.

There's a difference between a movie where plot points aren't wrapped up neatly and a film that doesn't set up the pins it tries to get mileage out of knocking over, and vice versa.

Either I missed it or there was some editing going on between whenever this was reviewed and its release, because I don't remember Kim asking Travis anything about kissing a girl when I saw it earlier tonight.