bashbash99
bashbash99
bashbash99

It’s still one of the best - it’s possibly the least important facet of his character. He’s a not a gay character whose sole defining feature is being gay, whose story is driven by being gay.

Sometimes it gets hard to remember, but at the time, the gay representation in The Wire was a huge deal. It says a lot that things that were groundbreaking representation-wise even 10, 15 years ago seem archaic and quaint now.

It’s still a big deal to have a major character that is both gay and non white. There was a

I know this is not where most people know him from but I loved him in Boardwalk Empire.

Hey God, Omar comin’.

So, wait, if I’m understanding this right, Kanye wanted a “clean” album as a tribute to his mother, to the extent that a guest verse from Andre 3000 about the death of his own mom was deemed too dirty, but he put Marilyn Manson on it? Isn’t that like cutting a Will Smith track because he said heck once and replacing

For someone with such a short filmography, her comments are quite obnoxious and elitist, especially when her latest movie bombed big time. I guess Rogue Squadron is gonna be released in cinemas then?

Not talking to the United Association of Movie Theater People now, is she? She’s quite serious about the slant of this hill and what she intends to do upon it.

Eesh. That transcript is awful. Jenkins seems out of touch with streaming realities and, possibly moreso, about the quality of WW84. She likely dodged a bullet with that crap going to streaming. 

WW84 definitely would have made more money. It had the goodwill of the first movie and that generally leads to a good box office haul, at least on opening weekend.

This release model “It’s not working as a model for establishing legendary greatness,” says director who made mediocre sequel

I’m sure there’s one but I can’t think of it....what movie (mainstream blockbuster type) released during the pandemic on streaming services was worthy of a theatrical release in the sense that they’d make a lot more money? My feeling is the studios looked at what they had ready to go and realized that a lot of it was

se here’s the thing, I don’t see how Strange would wind up learning the mystic arts in the first place were it not for losing his hands. The entire reason he went to that place at all was because he was seeking MEDICAL knowledge. In fact that very path took him to the guy who pointed him to the sorcerer supreme. Yet

It to tell stories that can be effectively told within the allotted running time?

Just accept it for what it is, this is how we get shit like Mephisto theories overrunning so much of the discussion about WandaVision.

100%, and some fans too. I don’t know what people want this to be. Every episode is literally what you say it is. COmics wise it was almost always batshit dark and somewhat dumb shit.

1: Can we please stop theorizing about how the episodes will tie into each other? If they do, fine, but so far they’ve all been heavily isolated, and the show’s just been acting like the anthology series that they billed it as. Just accept it for what it is, this is how we get shit like Mephisto theories overrunning

Finding it’s voice? It’s voice is what if. That’s it. That’s the premise.

It’s based on a comic where creators were given the ability to screw with established characters. It’s a bunch of people in a room asking Wouldn’t it be cool if...”
It sounds like you’re looking for deep meaning and continuity in a show that is

Maybe a bit too imperious to play Storm.

I mean, they also killed off the first old white man to have a real role in a Star Wars movie too. 

So are we not going to get a proper review of the episode?