Even worse is the minorities that would be directly impacted by Trump’s policies that didn’t show up.

BOOM!

So I’m being made to watch this show, never having seen the old Sailor Moon. And I’ve been making the most of it, getting into the specifics of the Senshi and their powers and stuff, but boy does this show make that hard. There aren’t any rules to the “fights” at all. (And, believe me, I’m not of the RedLetterMedia…

Wow. I loved this episode so much.

It’s unfortunate if/that they’ve chosen to focus so narrowly on manga readers as their sole audience, because the manga (and the anime as well) is rife with flaws in storytelling and pacing. This relaunch could have been a chance to cull the best from both sources and make something truly enjoyable for a wider…

Honestly, it's far too faithful for its own good. It's being done for the anniversary of the manga sure, but there's far too much reverence for the original work, even though manga and anime are very different mediums. It carries all the same awful pacing issues, the characterisation of a manga is vastly different to…

What we should be seeing back here, because it's literally the very next shot, is little Chibi and the tree. For that matter, where have the lightposts between the parking spaces gone?

I don't know about you, I dropped it after a couple of episodes because 1) I saw it already 2) Sailor Moons voice is annoying.

Yes, pretty much everyone who's watching knows this by now. But it's still not good for the story, so you could say it was also a flaw in the manga (which I've read and enjoyed).

They tried SO HARD to make Crystal look mature. They completely removed the humor from the original manga. Notice how Crystal is devoid of face faults and chibi moments? Heck, they even tried to shoe-horn the idea that the Sailor senshi and the Shitennou were dating, when in the manga it was completely absent and…

Definitely like the changes. I'm already not really a fan of this new art style and the amount of emphasis they put on computer effects, but it's a bit amazing that it seems so easy to correct all of this stuff now because it's all digital.

Some of these faces look like they just did a bad job of warping or remapping the features of a straight-on face rather than redraw a whole face to show a different angle.

Basically, it's a gritty Science Fiction story of a group of high school girls and a talking cat who stumble into advanced alien technology, and are then forcibly recruited into the Navy to fight the alien hordes, who hail from a kingdom of planets known as The Negaverse and seek to conquer Earth and steal back their…

They do rush into it, but it's thanks to a ton of exposition and at the expense of every shred of real character development. The characters are hollow and have no real chemistry or connection at all—the nuance and personality of the manga and earlier anime are gone, and it's incredibly disappointing to behold.

It's the Edward Cullen effect. Thanks to Twilight, I guess it's romantic to be a stalker.

In the new anime Tuxedo Mask is a fucking creep!. He kisses Usagi and tries to feel her up while she is asleep, knows where she lives, actively stalks her the list goes on. Seriously, who's idea of a dashing hero is he supposed to be?!

"Mamoru is a 17-year-old college student (according to the manga) and Usagi is a 14-year-old middle school student."

I thought I'd come to prefer the quicker, more focused pace of Crystal, but it turns out that I really do miss the original's often bizarre, sometimes amazing monster-of-the-week episodes.

I make no appolgies for the following statement;

... Why is there a timeline for the defeated hero? At what point is he defeated, as a child, before Ganon has the Triforce, or as an adult, after Ganon got the Triforce? Apparently, after he was defeated, Ganon gained an army of people who went looking for the Triforce in the Dark World and waged a war on Hyrule from…