It's important to note that it measures diagnosed depression... Japan has some pretty high suicide rates.

What is "it"? It's IT!

Still making it, you mean? Yeah, it's still going; in season 11 now. I think I'm gonna make it a mission to marathon the whole thing next month.

Agent Tex is a bit of a badass.

Y'know, they want to essentially "reboot" the batman film franchises, and I think Bat-Nolan may be the reason why. In the versions of Batman I'm acquainted with, there's a core of genuine kindness and chivalry to the character, even underneath a layer of cynicism— he may be dark, but he's still a knight. The minute…

The early 60's late 70's era of The Venture Brothers/The Valve Multiverse. Super-Science FTW!

Where were her parents in all of this? Furthermore, where are they now if she's experiencing symptoms of the onset of schizophrenia?

It was sort of a reaction to kids saying Korra and Asami should not only fight over Mako's affections, but try and kill each other over him, "'cause that's how it's supposed to work!" Others saw that and decided that Korra and Asami should "make love, not war."

Welcome to Night Vale?

Now, I think the developers themselves mistook Gabe and Tycho's ignorance for maliciousness. But all Gabe and Tycho had to do was say, "We're sorry we offended you, we were ignorant, please stay and join our con." Instead, G and T are shrieking like Katie Couric attacked them with wild dogs, furthering the stereotype…

I guess Mr. Goodcoffee solved the lament configuration, then.

An interesting commentary on the female form as seen through the teenage eye, as an object for the viewer to devour... Aaron Carter's rendition of "I Want Candy."

That, I'm as confused as you about, since as someone else said, the third wave was a response to some of the second waves more extremist outliers, like Dworkin.

Some schools of second-wave feminism emphasize non-violence and passivity as inherently feminine traits, and violence and activity as inherently male ones. He may see this as a built-in excuse to behave the way he does.

I'd argue that people turn mean because they FEEL helpless, whether or not they actually are.

Is the insulted character known or revealed to be gay? I'm assuming yes. Does the insulted character take offense, and are we anchored to his sympathetic P.O.V. when he does? I also am assuming yes, so I think we're meant to be offended along with him.

I've had a weird problem with how people tend to percieve me based on my voice. I'm a wheelchair user who can do a high alto to a deep contralto, and I've noticed that older men and women tend to prefer it when I do my best to imitate this character —

The game is about the choices we make, and the ones that are made for us. How each of them opens up new doors and closes old ones, transforming us, changing us, or sometimes, leading us to stagnation. Is our life predestined, or do we make our own meaning? These people don't care, they just wanna kill shit. Somebody…

I don't at all feel like less of a person when playing games. I have difficulty finding a sense of direction and meaning in my real life, and I find that the best games— which the Bioshock series count as for me— inspire me to do something constructive with my life; in my case, I'm trying very hard to reconnect with…

I realize that the violence one commits in the game itself could thematically serve as the canker at the heart of the rose, concurrent to the hidden holier than-thou racism in Columbia itself, as well as a component of Booker's M.O. as a Pinkerton Agent gone bad, but is that, in itself, a justification for why they…