It’s made by the people who made a ton of viral videos in “Autotune the news” but just using this fictional situation and interview to create the song. Like all their music it’s meant to be funny but might not hold up to the amount of repeated listens involved in binging a show. I don’t think much music even could. I…

I thought the Joel Mchale show was them experimenting with that, but when they added an order for more shows, they decided to dump them on one day. So who knows man.

I agree, you really have 2 paths to take with these fights on a TV budget.

1 - just pretend you have a cinematic budget and really lean in, no matter how shoddy the effects look (Legends of Tomorrow - Beebo vs Mallus)
2 - keep it quick with good looking effects

Shield almost always opts for 2, and honestly it fits the…

Looking forward to next season. After so many resets it’s nice to see so many changes to the status quo they couldn’t possibly undo all of them.

How can comedy shows even have filler? Is some sort of long term progression required for you to enjoy jokes?

I like that the Legends are so powerful both in their incredibly boneheaded tactics as well as their brute force strength. Truly the most super super team to ever super.

I skimmed it thinking it was a hilarious joke, but... then I realized what a high effort joke it’d have to be. By the end I’m pretty sure the person writing this needs help, and maybe I do too by mere contact.

He is 10 levels deep, his plan is so nuanced it only LOOKS incredibly stupid. It’s so well thought out we couldn’t hope to comprehend it.

Yeah it was really weird that the sexual stuff either went right over his head or he (far worse) identified with Ariel and saw no issue.

To be fair, their whole decentralized internet and super compression revolution already jumped the shark. It’s just technobabble to propel the show vaguely in the realm of conceptual possibility enough to land with as many buzzwords normal people might’ve seen.

Ok, it’s stupid, for sure. But their idea is the way to save zombies is to publicize their ability to save humans who would otherwise be dead.

When your career is spiraling sometimes you need to find some ways to mix-up the reasons people aren’t going to cast you.

The way the flesh monster was composed it felt like the most direct FMA reference the show could get away with without anyone feeling like they missed a joke. It DEFINITELY was though.

TV has peaked, pack it all up, it’s only downhill from here.

But when the majority of the joke behind the character IS the broad stereotype of COURSE that influences bullying, it’s like saying: here is this brown person, what a funny accent, laugh at them. Of course children will imitate that, they imitate everything, they’re larva that haven’t developed an identity.

On Arrow it never feels justified, but here both Daisy’s unwillingness to restore her powers because of her ability to potentially become the Destroyer of Worlds, and Fitz forcing her to save the world from the hole to the fear dimension are logical and emotionally concrete. It was a terrible situation Fitz saw no way…

Any attempt to hedge her bets invalidates the test. If you aren’t committed to drinking them all except the one you’re proving nothing.

My take is, as the people who managed to complete the quest in the first place, they’re the only ones capable of stopping the siphon. The only ones who knew where it is.

It is weird to say, but their diversions and shuffling of the source material give me confidence they could easily pull off some seasons written internally. Unlike GoT which fell apart the further it got from the source, the Magicians is thriving.

I don’t think they needed to pay Marina 23 off in this narrative arc. There was enough going on.