This makes me want to market a Tom Sizemore-endorsed glass tube/tinfoil/ceramic spoon set.

I've long had a love-hate relationship with this great film — usually depending on whether I'm going through a bout of depression or not — but this article demonstrates the film perfectly, at least when I'm in a more hopeful mood.  I never thought I'd say this, but Toddy made me cry just wee bit there, and without…

I've long had a love-hate relationship with this great film — usually depending on whether I'm going through a bout of depression or not — but this article demonstrates the film perfectly, at least when I'm in a more hopeful mood.  I never thought I'd say this, but Toddy made me cry just wee bit there, and without…

A Jacobs/Brie/Watson fleshlight is a sick, beautiful world you live in, one full of FLAGGED.

A Jacobs/Brie/Watson fleshlight is a sick, beautiful world you live in, one full of FLAGGED.

Wait, someone actually watched the whole film?

Wait, someone actually watched the whole film?

Duck Soup.  The only film EVERYONE really needs.

Duck Soup.  The only film EVERYONE really needs.

I've gotta say I was really disappointed by the film — lots of wonderful little moments (like the ending), but it just felt hampered (I also felt this was about "Bug" too).  Although, in full disclosure, I'm a huge fan of the play itself, have seen it performed, and felt Friedkin tried to add extra visual levity when…

I've gotta say I was really disappointed by the film — lots of wonderful little moments (like the ending), but it just felt hampered (I also felt this was about "Bug" too).  Although, in full disclosure, I'm a huge fan of the play itself, have seen it performed, and felt Friedkin tried to add extra visual levity when…

Also, in a lovely bit of music-cinema synchronization, the moment when the Prometheus kamikaze's the alien warship to the shrieking organ and choir bridge from "Love the One You're With."

Also, in a lovely bit of music-cinema synchronization, the moment when the Prometheus kamikaze's the alien warship to the shrieking organ and choir bridge from "Love the One You're With."

The killer seconds at the end are Williams' careening head and hair, a visual of her desire for an emotional spark in her life, something that allows her to feel transcendent as opposed to commonplace.  The film is ultimately about one's difficulty in accepting the banality and little moments of everyday life, via a…

The killer seconds at the end are Williams' careening head and hair, a visual of her desire for an emotional spark in her life, something that allows her to feel transcendent as opposed to commonplace.  The film is ultimately about one's difficulty in accepting the banality and little moments of everyday life, via a…

Were?  No.

Were?  No.

This is the most disappointing thing I've heard since "Crash" got nominated for Best Picture.

This is the most disappointing thing I've heard since "Crash" got nominated for Best Picture.

And that someone looks a lot like Tim Robbins.