avclub-faac15cdcb9b30303b1b71a3337cf6e7--disqus
remarkablyadept
avclub-faac15cdcb9b30303b1b71a3337cf6e7--disqus

I was just the right age for Big Generator, i.e., too fucking young to know better. Still, I loved me some "Shoot High Aim Low."

Silly human race.

It seemed like having a unique tone was more important to him than virtuosity. He still owned, but he was certainly distinctive.

I had a similar setup with my older brother's room being right next to mine. He loved Yes, Rush, et al. By the time I was old enough to make my own decisions, I gravitated towards that stuff.

I thought Wakeman would be the first to go - probably strangled by his own cape.

Adam Baldwin is, of course, welcome to his opinion.

G: If I'm gonna get my balls blown off for a word, my word is 'poontang.'

I'm sure this is not an original response, but here goes (from memory):

Fair. I had no idea it existed at the time. Plus, I'd be interested to know if it was as quickly comprehensive then as it is now.

Not only did I buy it, the second time I watched the movie in the theater, I brought my legal pad and wrote down every track I knew the name of so I could make my own Vol. 2.

Both bands loved Blue Oyster Cult, FWIW.

"The Trooper" full stop.

Well, he goes back somewhere in time a lot, so…

Eddie's been spending some time in the bush, apparently.

Watch out for snakes!

The lingering shot of the stiletto on the dock was well done.

Got me again, Lifetime!

Still watching, but my favorite was the shattering of the family portrait.

This should be…fun(?) since I get the feeling these two really, really don't like each other.