John Waters to me.
John Waters to me.
I'm not sure that good a proper term for whatever constitutes John Travolta's acting.
David Koresh, too, made a go at it through music. There's at least one CD he put out, and I can give my honest opinion that it's objectively terrible.
Triple-breasted… just begging for a better word.
Trititted?
Termammaried?
I too found the lack of good dialogue… disappointing. But I'm curious, with everything filmed in front of the green screen, are the opportunities to cry bullshit greatly reduced? Like, does relying on CGI mean that there aren't so many people at the time of shooting, that it makes the film-making process less…
You're an inanimate fucking object!
"Werner Herzog of butlers"
Best collective noun ever, or best collective noun ever?
Aw man, am I a woman?
I can't deny that it's a POS. But it did give us the amazing pizza box scene. "Everybody gets a mansion" and "What if I want to live with my sister?" get constant use in our house.
Jean and Scottie never have to worry.
I guess. You would have no trouble convincing me that hinging the pivotal moment of your song on a key change is a lazy hack (kudos to whoever mentioned Ravel having 'earned' it on Bolero). For a better (literary) understanding of the power/uses/psychology of modulations, read Rosen's The Romantic Generation. Or…
Ah but then the next movie will join the two teams…
Oh man that's good and dorky.
Growing up in Boston suburbs, I took enough field trips to the Boston Museum of Science that this is almost always what comes to mind first when I think of Nimoy's voice:
Escalator temporarily stairs. Sorry for the convenience.
Furthermore, the movie, which when properly viewed should take less than 20 minutes to watch, will actually take 3 hours as two friends constantly pause to discuss every miniscule plot detail/characters' motivations.
>>air their grievances, have sex, or both at once.
Aw hon, ya got Arby's all over me.
No coincidence that he resembles Harve Presnell?
"Jean and Scottie never have to worry"