It's fine that they said absolutely nothing about Mosaic. On Steven Soderbergh's birthday. Totally fine.

The non-Criterion Malick covers just suck. The one for To the Wonder makes it look like some Hallmark Store-exclusive bullshit.

The studio that released it, Broad Green, is so new on the scene (it can't be much more than two years old at this point) that I'm honestly not sure. Although another upstart company, CBS Films, recently gave Criterion Inside Llewyn Davis, so there may be a shot. I'd put its chances as greatly above To the Wonder's,…

Soderbergh isn't directing Godless, although Scott Frank, the writer of his Out of Sight, is, and the DoP of the Girlfriend Experience show is shooting it.

Maybe the official logline being that it's a takedown of "selfie culture" just completely scared the site away. Or that the Coens just did "that's not a knife, this is a knife" with it.

If nothing else, I'm interested to hear how the playing-theatrically element mentioned here plays out in regards to the show's structure. Is it just going to be that the episodes play in movie theaters or is the show more like several movies played back-to-back? Are the connections between the six stories more like…

I feel the same way! How are you?

I really, really, really wish HBO would release something from or even about Mosaic already, I can't wait to see how Soderbergh messes with narrative form here.

Never did I expect even theoretical throwing up from you during a show starring Tom Hardy.

I hope he's impossibly sexy and has an inscrutable accent in it.

@avclub-9293e2662d706845a23fcbdd071a1f2f:disqus, where art thou?

The Knick is partially the reason I adopted this in the first place, because it just made clear how little TV I actually watch.

That is true, in the sense that they've only made terrific things since then.

I cannot tell you how much I hate the fact that I can remember quotes from goddamn Wild Wild West.

This show does sound like a breath of fresh ass, though.

The universe seems to really want me to reconsider my faux-anti-TV outlook.

Good job, U2, not even picking your best album released in a year ending with "7" to tour for.

A.I. is a masterpiece, full stop.

Based on the positive reception it got at Fantastic Fest, it appears to be more of a "Oh, Is It Really January?" movie, a category whose only other member is Haywire.

I'm so in the boat for Shyamalan making good again, after adoring all four of his Disney thrillers and really liking The Visit.