I'll forgive her if she produces Everybody Still Wants Some!!, though.
I'll forgive her if she produces Everybody Still Wants Some!!, though.
Not going to lie, I'm a bit disappointed that Megan Ellison (who's producing this and who produced Russell's last two movies) is still financing this loathsome little toad when his movies make enough money that Annapurna is hardly shining light on some criminally underfunded filmmaker.
I want to believe that Julianne Moore would sooner pistol-whip this motherfucker than put up with his nonsense.
Elaine May [i]s great[.] Fixed that for you.
Please note that I will cut someone if there isn't a full article on Everyone Says I Love You this week.
I recently watched Allen's immediately post-scandal 60 Minutes interview, and they show a "Valentine's Day card" that Farrow sent him, and holy fucking shit. At least one person involved in this debate is a legit horrifying human being.
Guillermo del Toro's next movie (the one with Sally Hawkins, Richard Jenkins, and Michael Shannon) starts shooting in Toronto this month!
Yeah, getting a pro on the level of Gilroy to handle this almost negates the, you know, whole studio interference thing.
And now there's another Hollywood Reporter piece about post-production drama on a massive tentpole movie; Tony Gilroy may now be supervising the editing of Rogue One more than Gareth Edwards is.
That's just a leftover from the site launch screen. There are some technical difficulties that Julius has been trying to figure out (possibly involving a plugin). I can access the site through the back door (my dashboard as a site writer), at least.
The deep cut meme is the cheapest conceit in all of fiction.
WE'RE NUMBER FOUR WE'RE NUMBER FOUR
Everything that's happened with Donald Trump since the SNL episode has been funnier than anything in that episode.
I spent my time listening to episodes of the podcast Blank Check with Griffin and David and stewing about me not being able to see Cafe Society until this week (tomorrow, specifically).
A reminder: if you want a warm-up to the Looking movie, I highly recommend giving Andrew Haigh's previous film, 45 Years, a shot. It was one of my favorite films of last year.
If nothing else, this was shot by Anthony Dod Mantle (the DoP of Dredd, 28 Days Later, Slumdog Millionaire, The Celebration, The Last King of Scotland, and, randomly, Ron Howard's last two films), and it looks like it contains some really exciting, chaotic digital cinematography. And goddamned if I don't kind of love…