Emily Blunt >>> John Krasinski
Emily Blunt >>> John Krasinski
Hey, come on, Haywire was good! And, uh, shit, um, something else.
If it was a wide release, they would have said "In selected theaters December [so-and-so], in wide release January [so-and-so]", or it just would have said the first date.
No, you're mistaken, I'm referring to Channing Tatum's former co-worker in Side Effects.
I've said that Roland Emmerich's Stonewall sounds like a moderately high-concept SNL sketch. "Michael Bay makes a Benghazi movie" sounds like a lazily-written "right after the monologue" sketch. We're truly living in wonderful times.
And the climactic groan was Gale from Breaking Bad playing Straw Man (Presumably) Military-Hating Government Person.
Also, J.J. Abrams gets knocked the most for using lens flair, but Michael Bay is just as bad, maybe even worse, about it.
The first groan came five seconds in, with the shot of the kids dancing on the car at magic hour while the camera swoops by, which is as Bay-esque as a shot can get without an explosion in the background. The next was the result of the shot of the American flag waving in the breeze.
There are few things that take me out of a movie more than jarringly out-of-place, seemingly randomly-deployed slow-motion. Gladiator has too many instances of that before the ten-minute mark.
The Meaning of Life will be included on the Blu-Ray of It's Such a Beautiful Day and World of Tomorrow!
Lemme guess; Alejandro Gonzalez Inarritu came in to fill his prescription right as you were reading our comments on The Revenant's trailer.
Midnight in Paris borrows from both one of his short stories, and a bit he used to do back in the stand-up days.
I would not have been as impressed by You Will Meet a Tall Dark Stranger as I was if the ending to each story wasn't so brutal and so funny and so perfect.
Penn was fantastic in Sweet and Lowdown, you'll get no arguments from me on that, but Samantha Morton was easily his equal there.
It's going to be my first.
Yes, yes you should. And Ocean's Thirteen after that. And hell, Ocean's Twelve as well.
Having not seen Staying Alive, what the post-victory swagger at the end reminded me most of was the scene at the Bellagio fountain in Ocean's Eleven (it helped that Hooded Justice brought up that comparison before I saw it).
Che: Part One (rewatch): wallflower would be much more equipped than I to talk about what it really means, man, but this really improved for me on rewatch, and I loved it before. In its own way, it's as perfect a meat-and-potatoes action (in the sense of there being guns and explosions, and in the sense that the story…
Why do I have a feeling the reason the two characters' names form John Wayne is that the only Wayne movie Carey Scott has seen is The Green Berets, eighteen times?