I seen it. That is to say, I saw it.

To be fair, in 1986 the world was crying out for more Fisher Stevens. "Where can I see Fisher Stevens? When is the new Fisher Stevens film coming out? We need more Fisher Stevens!"

That movie is definitely one of his lesser works. It's ok, but most of his movies are in a different league.

Holy shit. I had no idea Funkhouser was Super Dave.

He used to cut the grass?

You should definitely check out Sheik Yerbouti.

Love Zappa. Love life.

He's been the spokesman for everything for the past 10 years. You didn't notice?

"My eye! I'm not supposed to get pudding in it."

It would have landed better if his description of Infinite Jest's first chapter didn't make it clear that he had no clue what was actually happening in that scene.

Did the reviewer watch the movie? Because she would have died if it wasn't for the decency of the reporter kid, such decency juxtaposed with the callousness of the rock scene being one of the main themes of the movie.

That New Hollywood 70s filmmaking wasn't always about subtlety. See: Taxi Driver, The Deer Hunter.

Where? The internet?

Hoot, hoot, hoot!

I'm surprised so many people are down on the liberty bell episode. Mac and Dennis practicing their fop voices, Frank and Charlie strategizing their robbery and murder of the watermelon man, everyone testing out the guns by pointing them at each other and pulling the triggers. It's not their best, but still pretty…

As great as It's Always Sunny is, it can never outshine Serpico.

I love the two '79 albums Joe's Garage and Sheik Yerbouti.

He loved it so much he came back from the dead to tell Rolling Stone.

Not only has this already been posted three times, you didn't even get the quote right.

Fuck! When are they going to get that up on Netflix? I want to see ethereal Wade Boggs.