I could, but I'm not going to.  (See also:  jamming a large knitting needle under my thumbnail.)

Safe journey to you!

They all said.

Also:  Do the Right Thing, Bill Lee
Carlito's Way, Patrick Doyle
Gattaca, Michael Nyman (great music, poorly used)
EDIT: Crash (no, the other one), Howard Shore

Yes it is. That was my first introduction to Goldenthal and David Fincher, and neither has disappointed me since.  You should check out some of Goldenthal's longer classical works; Fire Water Paper is just amazing, and he slips in some quotes from his soundtracks there (including the flute theme from Alien 3).  I'd…

I cheered when we got a seventh-season callback to that.

Heat, Elliot Goldenthal et al.  (Also Goldenthal's score for Interview with the Vampire)
The Thin Red Line, Hans Zimmer
The Thin Blue Line, Philip Glass (well that's a coincidence)
Fahrenheit 451, Bernard Herrmann
Trespass, Ry Cooder
Absolutely every Kubrick film, ever
EDIT: Repo Man, various artists

Aw.  It's sweet that you think that.

You try to open the door but there's too much blood on the knob. . .

Indeed.  Some good special effects, a well-paced story, nice understated performances by Paul Sorvino and Alan Arkin, Timothy Dalton in the role he was born to play (as Not Legally Errol Flynn), and, of course, pre-skinny Jennifer Connelly.

The very first How Did This Get Made? podcast is on Burlesque, well worth checking out.

Be safe, my friend!

Judd Apatow walking out of the Superbad commentary with his daughter; also the cast's reaction to Kevin Corrigan (Seth Rogen:  "Jesus, no one who was in The Departed should be in our movie.")

The Soderbergh/Cameron commentary for Solaris is well worth it; Soderbergh is (as always) really open about the process of making movies and Cameron is clearly very smart about filmmaking and storytelling.  (He comes off a lot smarter here than he does as the creator of Titanic or Avatar.)

Soderbergh:  Are you uncomfortable showing this scene to your daughter?
Soderbergh:  Well, we've raised her in a very open…she's really more mature than a lot of other…I feel like children should…yes, I am.

The third-season West Wing episode "Bartlet for America" is (among other things) an exploration of the deep love between Leo (John Spencer) and Jed.  It ends with a perfectly Sorkinian sentimental moment that leaves Leo in tears.  On the commentary, John Spencer breaks down too at that moment.  RIP, sir, you were so…

Hmm, it's a good time for this one:

Also:
Shawn Ryan:  not just a great commentator, but a great organizer of commentaries—he consistently brought different groups on The Shield's commentaries and used them to discuss different topics

(blush) (looks at floor) (stammers)  Aw shucks.  Thanks (-;

Tragedy > Supervillain Origin Story, so yes.