Let's make sure we crash the servers when it finally goes online.  (Hey, my #1 movie of all time is there!)

It seems to me you are expert, @avclub-f8f8c273f326be25421cc62737d24a9e:disqus !

Now you must give the rack—oh dear.

Shawn Ryan gave Gierhart a single note in directing "Possible Kill Screen":  "don't fuck it up."  And Gierhart massively did not fuck it up.

Love deNiro's little grin, too, he's thinking "go ahead asshole, underestimate me again."

That whole last sequence—the use of Gorecki's 3rd symphony, the repeated images of holding hands, the ground swinging up to meet the plane, the way it gradually shifts away from realism—it's one of the most emotionally overwhelming things I've ever seen.  It's like the end of Heat or Mark Romanek's video for "Hurt" in…

@marahe:disqus :  you can see Newswire posts, but they don't have their own tab.  Also, most posts come on about an hour later than they appear on the main site.  Some things (like the TI) don't appear on the main mobile page at all, you have to search for them.

Oh my fuck.  That, without question, wins the award for the Worst Thing Ever to Involve Philip Glass, and that is one seriously competitive category.

He has to be there, because he really personifies the fear and the ordinary life that Max can't get back to; he's like the negative space of Bridges' performance. Take him away, or give it to a lesser actor, and Max would feel like more of a guy who just can't play by the rules, man, and not like someone who's become…

We would also accept
"Hey Vincent."
"I told you before Chris, you don't get to use my first name."

He has maybe six minutes of screen time in Fearless, and he absolutely nails it (and given the structure of that movie, he has to).  His last moment is just heartbreaking.

Sounds doubleplusgood!

The line "you might think there are things these people are incapable of, but they're not" (really, Brad Pitt's whole monologue) is pretty near a No Country line (it's late in the novel, not in the film).

They really do the best releases:  good extras, great commentaries, and a really interesting cross-section of films.  (You can start a conversation with any Criterion fan with the question:  does Armageddon belong in the Collection?  I say yes, by the way.)  In some ways, their release of Brazil in the late 1990s set…

Enya, "On Your Shore"

Check it out:  www.criterion.com

Solaris, The Fountain, Inception:  A Man, His Dead Wife, and a Reality Not Our Own.  (Arguably Memento belongs here too.)

Fun fact:  No Country for Old Men was originally a screenplay; when it couldn't get filmed, McCarthy published it as a novel.  And now you know. . .the rest of the story.

Fun fact:  No Country for Old Men was originally a screenplay; when it couldn't get filmed, McCarthy published it as a novel.  And now you know. . .the rest of the story.

. . .I'm going to allow it.