I'm puzzled as to how anyone could find the yellow paint sequence Issue #9 of ASBAR "unintentionally hilarious," because that was pretty much one of the the most blatant examples of how intentionally hilarious the series is.
I'm puzzled as to how anyone could find the yellow paint sequence Issue #9 of ASBAR "unintentionally hilarious," because that was pretty much one of the the most blatant examples of how intentionally hilarious the series is.
Jorge, you should check out the Smax miniseries to see what Cannon's stuff looks like normally. It's a pretty entertaining series despite being a huge artistic swerve from the rest of the Top 10 franchise.
No, Miller disowned it because it was a badly written story built around an incoherently plotted "mystery" that falls apart under any standards of how to structure a whodunit. Pretty much anything "good" about the writing was Jeph Loeb blatantly stealing from Miller, because the rest was a retarded mashup of…
Jeph Loeb, unquestionably.
I'm assuming you're basing that statement off of Top 10, which isn't really an accurate representation of Cannon's artwork at all. Because while Zander Cannon is a good cartoonist, if you've ever seen his work without Gene Ha completely redrawing over his breakdowns, it is nowhere near the level of Ha or Quitely.
Mat Johnson
Icognegro is actually his second comic book, but given that his first was the absolutely execrable Hellblazer: Papa Midnite miniseries, I can understand how you might not want to mention it. He brought back a minor Hellblazer character who had been dead for at least 10 years then revealed that he was…