That was definitely a big part of what made last season weaker, but the really confusing mythology was definitely a much bigger turn-off for me personally. It got to be so confusing what the motivations of each big group were and who was secretly working for who that I almost just gave up trying to follow it.

I really hope that this season's throughline is as simple as "good clones vs. bad clones", because the backstory and mythology got way too confusing last season.

Bobrow's writing for this now, isn't he? I'm usually pretty cynical about new comedies, but this seems to be getting high praise across the board.

Are the rest of the season 3 and the season 4 reviews gonna be posted there? Or is that beyond your control?

But… the article doesn't even mention him?

With this and Ken Jeong's show, it's very confusing to figure out who thinks what about the future of Community. I'd be perfectly fine with it ending after season 6, so long as everyone in the show's production is on the same page about it and can plan for a proper ending.

The Office finale jumped a year between its penultimate and final episodes. That sorta counts.

That was pretty much what the HIMYM finale should've been.

Today I randomly remembered that Dads existed. Misery loves company, so I'm here to remind you all that Dads existed.

I like Agent Carter a lot, but it lacks a certain something to keep me eagerly anticipating it every week. I'll be sad to see it (hopefully temporarily) end, and it was definitely a great way to keep me engaged in the MCU while SHIELD was away, but it was never really elevated for me to the level that a lot of you…

Mostly. The show still retains some pretty significant problems that arose in seasons 5 and 6, but it's managed to still come out much better than either of those seasons.

I thought you were exaggerating, but "epochal travesty", including slight variations, is used 8 times. Holy shit.

I- what? Jesus, people, calm the fuck down. Not every bit that he did had to be a sweeping social declaration regarding the person he did it with. Yes, he was very enthusiastic, but that's his schtick. That's what he does. Maybe not everyone liked it, but jeez, people are tearing him to shreds over nothing.

I honestly don't see why everyone is shitting on NPH. Granted, this is the first Oscars I've watched all the way through, but his opening song was a lot of fun and he kept a great enthusiasm throughout.

Did we all just accept that Chevy saying he was in the new season was him getting confused and thinking he was talking about season 5? Or did we all just go eh whatever it's Chevy and not really think about it too hard?

Do these rule changes affect True Detective's categorization in any way? It should be defined as a Limited Series based on the description given there, but I'm not sure if that's a significant rule change from last year when it submitted as a drama anyway.

I like this on the basis that it really, really bothered me that OITNB was categorized as a comedy, but I guess now we can say goodbye to it actually ever winning any Emmys.

This might be the first year in quite a while when I have not seen a single movie nominated for one of the big Oscar categories (Best Picture, the actor categories, and cinematography/directing). I was apparently really bad at watching movies last year.

I just went and saw the Spongebob movie, after having loved Spongebob as a kid and having read reviews that this movie was decent. It was not decent. It was really bad, and I want my $8.50 back.

I must say that I've found Andre Jr. to be the absolute worst part of the show. I've found the kid's line readings terribly awkward and horribly misemphasized since the very beginning. I'm honestly not a fan of the child actors on the show as a whole - the oldest daughter (whose name I'm blanking on) is fine, but the…