she got Bosco. result!

She's far and away the best. Love her to bits.

Agreed, the character of Poussey (and Samira Wiley) is great.

Poussey is the best.

can't a waste also be sad?

@avclub-1b1f9a3e639ecc53f335314fc9d8403b:disqus . . . but the highest form of intelligence.

it's rare i get surprised by an article headline, but this one caught me off guard.

it'll constantly fluctuate between the two.

It's a really fun season. The new cast are every bit as good as the old, and often much more entertaining.

Paddy Considine and Rafe Spall's detectives should get their own movie.

what the fuck's a 'Snickers Cone'!? Those are Cornettos!

he's upset that he's lost complete control. ideally he wanted to keep them as his puppets, but ultimately had to sacrifice them. that's why he's unhappy.

as with everything else in life, it's all about power.

never claimed it was. in fact, above, i explicitly state that the primary post-war influence was US popular culture, often filtered through the UK.

hurray the complete refusal of the British to learn a second language! everyone else should learn English!
 
we will however repeat ourselves at an increased volume and, if you still refuse to understand us, we'll smash the place up.

i guess following the war it was always going tobe English or French and with the late 50s early 60s explosion of teenage/popular culture coming from the US via the UK, English won out.

but it's a horrible, horrible language.

that's us lefties for you. always acting morally superior.

'impish' is even better

beads?