avclub-eb19475abd9ea14e9d71de79e348c993--disqus
dlewisperry
avclub-eb19475abd9ea14e9d71de79e348c993--disqus

Morgan Saylor was excellent.

Rating C+ I pretty much agree with everything Todd said. Brody should be long gone by this point. The fact that he's again front and center plot-wise is absurd. The fact that he's giving Carie meaningful glances is not even absurd, it's lame. I thought the show was finding its way back, but I was wrong — it was just

Kaling and crew have found a way to use the show's cast more effectively over the last few episodes, and this story— solid, efficient, and funny — is similarly effective. The A and B plots are nicely integrated; Ellie Kemper and Sarah Burns are well served with small but funny parts ( . . . "You're an attorney, I'm a

I was glad Paige didn't find anything incriminating — it was one of my favorite moments in the episode. Paige's suspicion is the point, and it's a testament to the quality of writing which typifies this show that there was no big reveal. The scene was tension-filled without asking us to believe that Elizabeth got

I share both Todd's love of the show and his anxiety about the post-Harmon era — willing to give it the benefit of the doubt when necessary and hopeful that the new show runners will find their footing. With that said, I found this to be the best, most sure-footed episode of the season and thought the tonal

Well put.

Also a waiter (@ restaurant where Monica was the reviled new head chef) on Friends.