Clint Eastwood is a shoo-in with all those empty chairs.

She has brovaries. You can make your own by fist-bumping your ovaries until they grow a pair.

What films has Michael Peña made a meaningful contribution to? It seems like he's used a lot to round out the demographics instead of being given big roles, and I wonder if he's become associated with mediocrity.

You know who does dirty work? Norm Macdonald!

She gets the B-team board. (A-team board pictured above at Full Hyneman.)

The episodes I least enjoy are those where the narrative is constantly being sidetracked by dream-sequence-like interactions which seem to serve largely as reminders that the show is based on the anxieties of childhood.

He's using exclamation points now, but as time goes on we'll be seeing enhanced interrobang techniques.

The Arthur universe is examining legislation to block immigration from school-shooting-prone regions — this may be the last time that Stephen Colbert can visit this land of whimsy and caprice during the DW Administration.

If he was a Muppet he'd be glad to experience a waterboarding that didn't have a spin cycle.

YOUONTNOME

I wish Paul Scheer wasn't so enthusiastic about his own ugliness.

The weirdest thing about La La Land is that Los Angeles itself is an utterly soulless coincidence of highways and Taco Bells in a desert. It's not magical, special, or aspirational; it's just a hollow fabrication like Vegas.
People love myth-making, but I wish there were a few more myths made in places that were more…

Yeah, 'cos the most important part of a makeover is what you're cooking.

"a German Shepherd, named Herclues"

"… isn’t going quite as smoothly as it usually does. That’s okay. The world isn’t going too smoothly right now either."

Melissa Villaseñor is getting the Nasim Pedrad roles.

The biggest difference is that WW has real stakes. TGP has none.

Revenge fantasy flicks are usually made for the males-under-25 quadrant, which makes sense because that's where most of the undirected testosterone is. Even films in the genre that have a much older protagonist, like 'Falling Down', draw almost all of their cinema audience from this quadrant.

I think it's more that they want to make an extremely violent movie and need to spend some time setting up a moral mandate for the protagonist. Usually it's a man, so the calculus is very simple (John Wick: dead dog) but when it's a woman the audience needs a lot more emotional content before they get on board with…

If her Tinder pic was her album cover I wouldn't recognize her in the Starbucks we met at.