Universal actually got this idea from watching The Sting II, so nobody knows it.

Oh my god, that sounds amazing!

*does a double take*

Not to get into that whole "Nas is still good" argument, but he did make It Was Written, Stillmatic, God's Son, and Hip Hop Is Dead. Meanwhile, Snoop's primary post-1995 musical contribution is "Drop It Like It's Hot."

"What an arc!"

Wait, the people who wrote Yes Man were also involved in Allen Gregory? This explains SO MUCH!

Mmmm… Hamm.

WE ARE DEVO.

Anybody who thinks Rage Against The Machine isn't awesome is a person who cannot be trusted. Luckily, ATDI is also pretty awesome, so I guess it levels out.

Didn't watch the episode, but I came here to say that A Face In The Crowd is the greatest Egotistical Star Gets His Comeuppance movie ever made. The the choice using perennial nice guy Andy Griffith in that role is easily my favorite instance of casting against type. In the grand scheme of things, it's kind of an…

FOX doesn't care if old people watch it or not. They're too busy saving their money for important things like retirement and wise long term investments. Old people are worthless to their advertisers.

Eh, it's not like he's making some totally irrelevant advertisement for some fucking lame ass bullshit like most spammers. I'll give the guy a break.

Beavis & Butthead 2012

Excelsior!

Analyze This is good. Analyze That is pretty bad even for a comedy sequel

I was 16 when Crash won, so I think the stars were aligned in some way. I was at my peak bitchiness as a human being, and the world was rewarding something that I held in complete disdain. It was a perfect storm of bitch. Shakespeare In Love is a piece of shit too, but I just know it as a piece of shit. My hatred of…

The keyword is "almost." I love No Country For Old Men and I think The Hurt Locker is an underrated Best Picture winner.

What do you have against Analyze That?

I'm excited for the day when Billy Crystal finally metamorphosizes into his character from Howl's Moving Castle.

Be they black, white, or a rapidly aging Martin Lawrence.