It was a brief cameo.

1,2,3
The first movie sounds terrible and boring. The second movie I feel like I have already seen and been bored by. And the third movie sounds unbelievably awful.

Something about "whistling for a cab."

Didn't House look kinda surprised at the end? I totally, 100% took it as a cliffhanger ending, with something starting to go wrong inside House. But no one else seems to think that, and the point in the article about comparing him to the patient seems pretty solid.

665th in, no one will read this
But I had to say anyways, I listen to music not in album form (or on the radio, I guess) about twice a year. Albums are my fundamental unit of music.

There's nothing "amoral" about destroying people's identities. That's straight up "evil."

Seriously, guys, forget the cameras. 99% of the time they're like the camera in a video game, where they have some sort of physical interaction (like getting stuck on a rock while you're trying to turn), but there's no point in trying to fit them into the storyline. And the other 1% of the time they're fucking…

Dear Mr. Rabin
I have no idea what this is, but I believe it may interest you: http://www.atdhe.net/

Hooray!
Hooray!

University of Michigan - Ann Arbor FTW
None of that Dearborn or Flint bullshit.

Libertarianism
Normally I'm a big fan of the SP libertarianism, but can anyone explain to me how our economy would be any different right now if Messrs. Parker and Stone had been in charge for the last 20 years? If they agreed with any aspect of any political party over the last 10 years, wouldn't it have been the…

Exactly! I think this movie has more potential to be extremely great or extremely terrible than just about anything else I've seen.

See, you bring Arcade Fire into your trailer, you have a whole lot of sentimental grandiosity that you're obviously trying to pack in. I like the odds that this movie is really great, but I also like the odds that it's so self-importantly terrible that we're all laughing or sobbing, depending on how important the…

Elvis Costello
My Aim Is True. My mouth was agape for over an hour.

The Robot Point
I have to think the robot point was that it's stupid to be making fake people until we're taking good care of the real people we've already got. I'm not sure that's really weighty enough to be the punctuation on the end of this show, though.

Is Yellowcard even eligible to be a guilty pleasure?
This is kind of a weird one, but I stopped being able to listen to the Yellowcard song Believe once I figured out it was about 9/11. I'm not sure I'd still want to, though, anyways, because, I mean . . . Yellowcard? But the Lincoln quote killed me back then.

Meme Bot, that was funnier than anything in this episode, and I liked this episode just fine.

I went to a private high school, and every Friday that wasn't the last Friday of the month was "Dress Code or Better," which was when tuxes or evening gowns would have been allowed. The last Friday of every month was Free Dress Day, which is when blue jeans were allowed.

I think that's how they're going to play it. After an episode focusing on Michael-as-child, this was his adult moment: he doesn't care about the fucking party, he cares that after 15 years of successful service to the company David Wallace doesn't respect him enough to take his calls.

I could never pick between Letter from an Occupant and The Laws Have Changed. I love them both equally. But I also don't really think of them as Power Pop, though I have no specific reason to disqualify them.