"Ain't we just."
"Ain't we just."
A complete stranger in a public restroom once told me I look like Tobey Maguire.
A complete stranger in a public restroom once told me I look like Tobey Maguire.
The Lodge of Love truly IS the stuff of legend. They aren't using the term lightly there, and once again causing a word with a meaningful definition to be rendered useless, like they did with "literally" and "begging the question".
The Lodge of Love truly IS the stuff of legend. They aren't using the term lightly there, and once again causing a word with a meaningful definition to be rendered useless, like they did with "literally" and "begging the question".
I was walking down the street in Lincoln Heights (LA) once - in 2003 or so - and a police car on some sort of camera rig came down the street with Ernie Hudson in it. I am forced to conclude that around 2003, Ernie Hudson was in a cop show set, or at least filmed in Lincoln Heights. Or that I hallucinated the whole…
I was walking down the street in Lincoln Heights (LA) once - in 2003 or so - and a police car on some sort of camera rig came down the street with Ernie Hudson in it. I am forced to conclude that around 2003, Ernie Hudson was in a cop show set, or at least filmed in Lincoln Heights. Or that I hallucinated the whole…
ESPECIALLY the very first one, with Aaron Burr.
ESPECIALLY the very first one, with Aaron Burr.
As in "William" Henry Harrison?
As in "William" Henry Harrison?
Do you mean "why did they decide to make the titles of the first 3 episodes references to Friends?"?* Couldn't tell ya.
Do you mean "why did they decide to make the titles of the first 3 episodes references to Friends?"?* Couldn't tell ya.
And he'd be great at it, and enjoy it, and people would STILL mock him relentlessly.
And he'd be great at it, and enjoy it, and people would STILL mock him relentlessly.
What if all 72 virgins are sisters?
What if all 72 virgins are sisters?
Han shot 15th? Which cut was this?
Han shot 15th? Which cut was this?
There is, of course, a series of novels about the life and times of the one grassy knoll that showed up for a second in the Mos Eisley Cantina that one time.