avclub-e6f3808057d724b15133b97796568334--disqus
Kinch
avclub-e6f3808057d724b15133b97796568334--disqus

I don't want to hurt your feelings or anything but I'm not sure you actually do understand the blue turtle reference.

There are so many opinions in this comment section that I do not understand.

Meanwhile Bono loves Modern Family. Something about the idea of Bono laughing his ass off at Modern Family - look, I'm not saying the show is terrible, I've enjoyed many episodes of it, but a little part of my childhood died at that image.

"My wife!"

I was so thrilled that they talked quite a bit about Zooropa, though. Also it's heartwarming to learn that School of Rock changed Larry Mullen's entire life and relationship with his family.

We still don't know how he knew about Scott's lunch…

I know, I'm so psyched for their electro duo The Radical Center.

They built up their goddamn nervousness so much that by the time the interview started I practically had sympathetic diarrhea.

I'm not finished listening yet but so far Bono's anecdotal name drops include:

I am not exaggerating when I say this is the happiest day of my life.

I will always upvote Ray Davies.

Does your cat ever meow into the phone during international conference calls because mine does.

I know he's disfigured in the book, I just don't want him disfigured in the show, not even for a little while. Deviate from the canon, Bryan!

PLEASE NO NOT THE FACE

I don't know about scared, but he's been made sad quite a few times.

I don't understand why the AV Club doesn't create an empty post as soon as the episode airs so people can comment, and then take a little more time to craft the reviews.

The description of Marino as a "big, good-lookin' paisan" from The State has stuck with me for 20+ years. "Honey, do we use rosemary? I love it!"

Just finished the whole thing and have to say it was hugely entertaining in a binge-watch-a-Netflix-show-on-a-hot-summer-day way.

The Adam Scott dinosaur is wondrous.

Elizabeth Banks is particularly hilarious in episode 2.