avclub-e697ecfbaef94f9a58b7c6304ca39080--disqus
Dude Manbrough
avclub-e697ecfbaef94f9a58b7c6304ca39080--disqus

They were both good. BDM had a certain charming misanthropic crankiness, but Bob was more sarcastic, wacky and random. There a scene in the tool belt wars one where Mr. & Mrs. Peterson are randomly cleaning their handguns, kills me every time for some reason.

The "To Sir With Love" montage was great, esp. that last photo of Chris standing there with that uncomfortably creepy grin that went on for way too long.

A few months ago I watched the entire series on some crappy pirate website. It was awesome, even better than I remembered it. We love you, Wallet Boy. 

When your beard begins going gray it's time to stop wearing anything that's "officially licensed".

Spike is kinda like the black Kevin Smith now, esp. how they both dress. Except Kevin has a better sense of humor.

And on the ninth day, HE created the chili dog, nature's OTHER perfect dick-shaped food.

The funniest thing about Kirk is that video where he uses a banana to "prove" creationism. Because, you know, a banana is shaped like a dick. 

Savage gets a mention! "Loose & Lethal" is one of the all-time great NWOBHM albums, awesome guitar sound and catchy tunes. Raven gets a mention too I see, word of advice: stick with the first two Raven discs, the rest of their catalog is shite.

Boston certainly has just as much business being in this "HOF" as GnR does.

The concept of a "rock and roll hall of fame" is lamer than my grandpappy Amos. Why would any self-respecting "rock and roll" artist want to be "honored" by a collection of music business low-lifes? It would actually be more "rock and roll" to decline and tell the HOF to go pound sand. Or, even better, show up at this

Dave's two main problems have always been a) over-estimating his own intelligence and b) not knowing when or how to keep his mouth shut. 

I thought so, same production company BTW. Both shows started as traditional "sitcoms" with episodes based around some (sometimes) humorous premise. Then they became more serialized, less funny and based more around the character's relationships with one another.

It was a decent show until it became a serial "dramady", like what happened to "That 70's Show".

I can't think of a "celebrity" with less charm, talent or personality…and I've seen almost every episode of "Jersey Shore". Well, maybe Trump, but that's it.  

I've enjoyed most of the season so far but yikes, that one really sucked. They were on a little bit of a roll there but this one was just terrible.

SunnO)))'s "Black One"…it put a quick end to my neighbor blasting political talk radio in his backyard every weekend afternoon.

I had a vinyl copy of the Quiet Riot album with "SBC", sold it to a Randy Rhoads geek/complete-ist for $50. I never missed it, really a terrible record.

The first three BOC albums are classics; weird, creepy, offbeat records miles removed from their later "popular" ones.

IMO hair-metal became a thing when Motley Crue struck it big with "Home Sweet Home", thus launching the era of the "power ballad". After that, every single "L.A."-type band was falling all over themselves trying to write the next big power ballad and/or songs about cocaine and underage girls. It died when Skid Row

I think it was pretty clear upon hearing "Delivering The Goods" for the first time. I remember laughing at the "cool kids" back in high school (this was the 80's) who seriously had no idea whatsoever that Halford was gay. Like the girl in "Heavy Metal Parking Lot" that wanted to "jump Halford's bones". Amazing how