avclub-e646e2fec7dcbe33111f4481a96523af--disqus
ihateyourfavoritemovie
avclub-e646e2fec7dcbe33111f4481a96523af--disqus

Friday: MIAMI CONNECTION - tons of fun
Saturday afternoon: DAY OF THE JACKAL - forgot how good that flick was, and how much like Damien Lewis looks like Ed Fox
Saturday night: SPRING BREAKERS y'all
Sunday: some old eps of Community and about half of THERE WILL BE BLOOD for shits and giggles.

@Scrawler2:disqus I enjoyed the end credits as well.

One of the strangest fucking movies I've ever seen.

Solahpanul.

*Joshua and Grandpa reach out to touch hands one last time before Grandpa is dead and gone forever*

Going to a midnight screening with a bottle full of scotchka is a great way to fall asleep.

I love how Troll 2 has almost no j-cuts - the camera stays on whoever is speaking until they're finished. Also, presumed-death by popcorn sex.

The first time I watched this, I lost it when Barry used his car to make a point about gestures. And also his fists to radicalize the nose Muslims…

Good lord, I'd love to see that audition tape.

I always read that shot as similar to SILENCE OF THE LAMBS - even though the characters are looking into the lens, they're not breaking the 4th wall in the sense they realize they're in a film.

"And what haunts me, is that in all the faces of all the Bonds that I ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the Bonds. And this blank stare speaks only of a half-bored interest in fast women

Anyone who reads this and thinks it's a joke hasn't tried using them as an emergency fire starter (for this purpose, they are excellent).

See also: Dairy Queen.

Great distinction - I think you nailed it.

Great distinction - I think you nailed it.

That would explain a lot, because otherwise his brother wanted him to wander around and almost get hit by a car?

STOP MAKING ME LOVE YOU, O'NEAL

"But you said we were going straight to DVD!"

As I've continued to digest INGLOURIOUS BASTERDS over the past few years, it seems to me to be more a comment on audience expectations of war films more than anything else. Look at all the big budget WWII and Vietnam films from the past ten years, and often they're based on true stories, feature big protracted battle

We're in the library.