I adore that album, too. "I Keep a Close Watch" stunned me when I first heard it.

I adore that album, too. "I Keep a Close Watch" stunned me when I first heard it.

Soon the AV Club will be making posts about the frequency of Oswalt's bowel movements. We get it-you're obsessed with him.

Soon the AV Club will be making posts about the frequency of Oswalt's bowel movements. We get it-you're obsessed with him.

That's true. Listen to the lyrics-it's about fucking, not moping.

That's true. Listen to the lyrics-it's about fucking, not moping.

She's even a credited co-producer on THE FUTURE.

She's even a credited co-producer on THE FUTURE.

Buckley's can't touch what John Cale already did with it.

Buckley's can't touch what John Cale already did with it.

There was nothing consensual about THE ENTITY at all. Shame on you.

There was nothing consensual about THE ENTITY at all. Shame on you.

The BFI already put out a fantastic DVD of it in the UK, but I do hope that Criterion is able to license it.

The BFI already put out a fantastic DVD of it in the UK, but I do hope that Criterion is able to license it.

It's remarkable how well DEEP END handles it's shift in tone from almost lighthearted and whimsical to incredibly paranoid and dark.

It's remarkable how well DEEP END handles it's shift in tone from almost lighthearted and whimsical to incredibly paranoid and dark.

Zulawski is a master at exploring carnage and human sexuality in his films with deft humor. I love LA FEMME PUBLIQUE , SZAMANKA, and ON THE SILVER GLOBE, too.

Zulawski is a master at exploring carnage and human sexuality in his films with deft humor. I love LA FEMME PUBLIQUE , SZAMANKA, and ON THE SILVER GLOBE, too.

Jerzy Skolimowski's DEEP END (1971).

Jerzy Skolimowski's DEEP END (1971).