Love this guy
He makes anything good he's in better, and justifies watching things that, other than him, may not be so good. The man is always awesome and has some of the best delivery in the business.
Love this guy
He makes anything good he's in better, and justifies watching things that, other than him, may not be so good. The man is always awesome and has some of the best delivery in the business.
I Like It
But I will buy anything they put out till the day the last one dies, so I'm a bad judge.
oh BOY.
Can we expect another pressing of Sgt. Pepper as well?
Not songs but albums. Two in particular, one longstanding and one new as of last year: XTC's SKYLARKING(which I always play on the first hot day of the year) and Goldfrapp's SEVENTH TREE.
Uhh, what?
>>Baldwin reflects, "I almost wanted to reach down and grab him in an inappropriate way, to get a really pained reaction from him."
Most people don't know that
…structurally, and in the premise of being a story of archetypes past their time, it was a big influence on WATCHMEN(the book) and indeed, when it originally came out, a number of comparisons were made.
There was a time
…when I thought Mary Marsh was a one-dimensional and very easy stereotype.
Robert Altman
>>The late director Robert Altman got in some trouble after 9/11 for blaming Hollywood's violent exports in part for inspiring such an attack, but while that claim seems tenuous…
Oops
"Rock," I mean. Rick on the other hand may well be very white indeed.
Billy Duffy
Maybe he's a "nice guy" most of the time, but there was that infamous SPIN interview(or was it MUSICIAN?) somewhere around 89-90 where he said that rick is "white music"—and he meant this as a good thing, not a criticism, going so far as to say there's never been a black guitar hero.
The head on the foot
What the FUCK is that thing. I have not yet seen this thing. If that's in it, I will omit the film from any part of my brain that knows it exists. Is THAT THING in the movie?
No.
I repeat, no.
Re: Are the French ever gonna live down World War II?
No. See EYE OF VICHY.
>>But why this generation of writers? It makes some sense since these were the writers who actually grew up reading the grim 80s (sometimes 90s) versions of superheroes.
Sockcucking Futhermuckers
Well, that's it, they killed it. No wonder this thing hasn't found a footing yet.
I think the medium is just fine. Certainly getting your comics in front of people's eyes, or to market, isn't as daunting as it once was—as far as I recall from around 1998 when I first self-published. But alt comics, I think, have become more of a book thing, rather than "habitual entertainment." They no longer…
They're Exhausted
Seriously, the only reason anyone is writing new stories with these characters is to keep the trademarks active. It's been rumored that DC itself, within the Warner organization, doesn't have to make a profit and that it's become more of an R&D arm for licensed characters. I suppose, given how they…
Bowie and Kristofferson
I'd argue that Kris Kristofferson was one of the most successful singer-turned-actors. I can't recall a film I've seen him in, even bad ones, where he wasn't good.
It definitely falls apart by design—in fact, at the end, you watch it doing so literally when the cops come to arrest them for their murder of the professor. They made the shoddy budget they had to work with, as well, a plus rather than a minus.
Or tapes that cut songs in half, as in "Pigs(Three Different Ones)" from Animals.