The Bells of St John : Celia Imrie 
Cold War: Liam Cunningham 
Hide: Dougray Scott 
Journey to the Centre of the Tardis: three random, appalling actors 
The Crimson Horror (next week): Diana freakin' Rigg

The weaker episodes do have good character moments, absolutely. It's probably these moments that contribute to me continuing with watching the show.

The Dean impersonating Jeff was all I needed to appreciate this episode. In fact, Jim Rash is all I needed to appreciate this whole season, flawed as it may be.

My wording was perhaps misleading. Klaus is not a good guy, now or ever, and I'd struggle to see anybody try to claim he was. My point was simply that it's been everybody vs Klaus for so long and now it's Klaus vs somebody else, and somebody inferior in strength at that.

I liked it, but it's going to take me a while to adjust to Klaus essentially being the protagonist rather than the antagonist. For almost two whole seasons on TVD, he's been the all-bad, immortal supervillain, and now there's somebody out there that's replacing him as the villain. I like Marcel, don't get me wrong,…

I am SO glad Mellie has finally stopped trying to flog the dead horse known as her marriage to Fitz and has decided to leave him to his own devices. I just wish Olivia would do the same because he is no good for her whatsoever, and I find myself frustrated at her ability to just gloss over the things he did to her,…

Jonny Lee Miller was on fire this week, and I actually thought he was going to cry at the end upon receiving Joan's gift.

Sixty seconds in and there was already a shot of somebody without their shirt on. It may be shallow but this is one of the reasons I watch this show and like it, irrespective of its faults.

The movement, while existing, has been so slow that you'll have to forgive me for describing it as 'motionless'. There was once a point where I was thoroughly interested in who she ultimately ended up with, but now I find myself accepting of either direction, simply because the momentum has been somewhat sapped, at…

I have this feeling that Alicia will want to be with Will, realise that working together would complicate things considerably, and head off to the firm Cary and co are creating, firstly to de-complicate matters and because it's clear, after this week anyway, that she distrusts the management at Lockhart Gardner.

That Dany scene was absolutely everything I wanted it to be and I couldn't be more pleased. Plus, Emilia Clarke sold the absolute heck out of it. I was a little underwhelmed by what Dany had to do last season, but in the four episodes we've seen of season three so far, she's completely reversed that.

This show is bad, like really bad, and I've figured that out after watching the first three episodes, but I'm about to start the fourth. It's so bad it's good, and I love to watch it simply to laugh at every piece of crappy dialogue, every gratuitous sex scene, Bill Skarsgard's shitty acting and how it tries to be as…

And the point of Tyler's unnecessary, pointless 'return' was? I'm trying to figure one out but it's not working.

Ann and Donna talking about Game of Thrones and how 'everybody on the show could get it'.

This season has belonged to Michael Cudlitz, and the chances of him receiving Emmy recognition are undoubtedly slim but by gosh does he deserve it.

I get your point about the lisp. I still don't understand why his name was changed though?

I thought she was ill the first time but she did it a second time. The fact she did it at the end when Will hugged the client must surely mean it has something to do with him and her feelings for him.

I'm loving how BAMF Dany has become in recent episodes. I'm surprised the slavers didn't freeze in their seats with the icy looks she was giving them. This is why I adore Emilia Clarke because she can do any side to Daenerys and have each one as effective as the rest.

"And I know there's a part of you that you haven't seen in years"

I liked the episode, but I don't think it was A grade material. I liked the setting, the use of a classic foe and the cast (SER DAVOS!), but the ending—like many Doctor Who stories of recent times—felt a little rushed.