avclub-dce6d9e1b376fa2c0963018937fde5ff--disqus
OldTownGail
avclub-dce6d9e1b376fa2c0963018937fde5ff--disqus

False.

Beavis & Butthead's music video commentary always was (and still is) my favorite part of the show. It's why I bothered tracking down the bootlegs.

I love the feel of this show and the vibe of this show and the look of this show and the sound of this show and a couple of performances in this show. If it maintained that quality throughout, I think it would be my favorite of Netflix's Marvel stuff. (At least until their Punisher series puts 13 episodes of Bernthal

Smug motherfucker…

The 5-fingered hand is weird. Nothing else bothers me.

ahem…

We don't actually know it was the only club for that community, though.

All. The. Feels.

It's always in the last place you look.

On the one hand, yay lady directors and yay an increasing diversity in creative voices.

I doubt it will be forgotten/ignored come award season.

I saw her live in 2014 (opening for Prince, actually), and she's the real deal. Reminds you how few people have whatever it is she's got when you see it happening on stage.

So happy to see him getting good work in big projects. I've liked him as an actor/screen presence since I first noticed him. I think on Crossing Jordan.

Well, shit.

Marvel on Netflix = consistently high quality, hallway fight scenes, and the tragic death of older black mentor figures.

I like looking at Jon Bernthal. So this movie had that going for it.

There are moments that are funny because the people in it are funny, but this felt way too much like Christopher Guest consciously trying to make a Christopher Guest-ian movie.

There's a fight scene set in a hallway. Everything seems to be in order here.

Except the first 15 minutes of up didn't make me hate Theon Greyjoy even more than I already did forever and ever and always.

Ready.