Eh, May's a mainstream UK conservative. She just feels bound by the fact that the English are a load of racist, sheep-fucking pricks.
Eh, May's a mainstream UK conservative. She just feels bound by the fact that the English are a load of racist, sheep-fucking pricks.
I'm so glad that Marvel realized "Wait a second — we have Chris Hemsworth, and the Thor movies haven't been buddy comedies? Gotta fix that."
…why would Prince of Egypt or Chicken Run need "defenders"?
If that's your standard, check out Everybody Wants Some!!
Yup. Zootopia is much better, and much more rewatchable…and I love Moana.
They're never improvised.
Yeah, I feel like most of his oeuvre began with him thinking "It could be really cool if I…"
Nixon?
Yup. If anything, his biggest problem in terms of being viewed as an ARTIST is that he doesn't require artifice to capture truth.
As long as BK doesn't get to touch the food.
I don't know if there's anyone who does a better job of capturing how it feels to be a young white guy who's nearly as clever as he thinks he is.
Yeah, I can see a solid argument for either Lemonade or 25 as the second best album of the year to ASGTE.
Yeah, the movie itself might be self-indulgent, but it's pretty damn hard to claim the Academy's nomination of it is.
And, of course, Boyhood is the definition of "naturalistic."
Eh.
"Manchester by the Sea - A testament to how very, very sad movies can be."
Ah, fair enough. The book's prose is a lot less precious than the movie.
I unabashedly love Everybody Wants Some!!, so I might just have a greater tolerance for deeply plotless movies than you do, haha.
The visual approach of the whole movie is directly informed by the fact that the depicted events are a story, though.
Dude. A 75% critics score on RT is very divisive for an Oscar-bait movie.