my high-school class mates were accusing me of being gay because I would draw. To be fair I was drawing explicit gay porn.

Is no one going to call out Sean O'Neal for being as bad as a racist?

I think the idea was to imagine it, not so much carry it into stages of practical application.

Perhaps it's a little late.  But I'd like to thank Nathin Rabin for rekindling my love for the Beastie Boys.  I don't know what made me stop listening to them but going back over their old stuff (especially Paul's Boutique) it's sparked nothing but memories of good times and bottomless love for all things in this…

Perhaps it's a little late.  But I'd like to thank Nathin Rabin for rekindling my love for the Beastie Boys.  I don't know what made me stop listening to them but going back over their old stuff (especially Paul's Boutique) it's sparked nothing but memories of good times and bottomless love for all things in this…

But there are 7 items.  Which is the one you've only half-heard of?

But there are 7 items.  Which is the one you've only half-heard of?

I was excited to see Men In Black 3 due to that very same Barry Sonnenfield interview, as he addressed my main concern about current 3D movies: most of them keep the action in the positive space (behind the screen) and only use the negative space (in front of the screen) for gimmicky "objects flying at you" effects. …

I was excited to see Men In Black 3 due to that very same Barry Sonnenfield interview, as he addressed my main concern about current 3D movies: most of them keep the action in the positive space (behind the screen) and only use the negative space (in front of the screen) for gimmicky "objects flying at you" effects. …

Color never improved black and white.  To think color adds anything, such as "mood" (blue means "gloom", red means "passion" etc) is a fallacy, mood is primarily created by reading an actor's expressions and/or reactions.  The best use of color is when the palette becomes limited, so the film maker can direct the…

Color never improved black and white.  To think color adds anything, such as "mood" (blue means "gloom", red means "passion" etc) is a fallacy, mood is primarily created by reading an actor's expressions and/or reactions.  The best use of color is when the palette becomes limited, so the film maker can direct the…

I loved the tonal shift in Sunshine's third act, I thought the camera effects on the sunburned man were particularly effective, and it was a perfect sense of struggle the story needed to make the ending that much more glorious.  I've watched it quite a few times, I think the third act is truly an essential part of the…

I loved the tonal shift in Sunshine's third act, I thought the camera effects on the sunburned man were particularly effective, and it was a perfect sense of struggle the story needed to make the ending that much more glorious.  I've watched it quite a few times, I think the third act is truly an essential part of the…

all I remember is Sean O'Neal's newswire about it:

all I remember is Sean O'Neal's newswire about it:

"Wherefore The Fuck?"

"Wherefore The Fuck?"

Whoa, I didn't pick up any hint of racism in the review.  I took the words "noble savage" to imply a heroic peasant, a commoner when contrasted to stiff royalty.  By the schmaltzy premise described in the review I think C+ is too fucking generous for this piece of sap.

Whoa, I didn't pick up any hint of racism in the review.  I took the words "noble savage" to imply a heroic peasant, a commoner when contrasted to stiff royalty.  By the schmaltzy premise described in the review I think C+ is too fucking generous for this piece of sap.

Garth Marenghi's Darkplace was probably the first thing he acted in, before he followed up with Dean Learner's Man To Man, and various other shows like The Mighty Boosh, Nathan Barley, Snuffbox, The IT Crowd, and whatever other BBC set he happened to be walking past at the time.  All of which are very good shows.