Mike recently did a comedy thing with Dave Foley where they improvised public service announcements for various topics, with Mike's in song form. Some of them sounded like sketches for what could be pretty decent Soul Coughing songs with some work.

I'm sure he's a nice guy, but as it's fallen on him to be a shill for TWD and rave on about it with an unobjective, overly-excited, puppy dog like enthusiasm, he comes off as annoying. I only watch the show because the guests usually include comedians I like.

Chris Hardwick seems less like a "charming nerd" and more like your average smug tv talking head, or an overly enthusiastic Best Buy employee who smiles too much and is clearly dead inside. Harmless, but annoying.

Have they explained why the Governor has super powers? He fights off 50 zombies and still has time to catch up with Andrea last week, then overpowers badass redneck speed freak Merle like it's nothing… David Morrissey is a good actor, but I can't quite suspend disbelief the way this character is written.

They take the one Beatles song that sounds better as Bee Gees song (She's Leaving Home) and have Robin sing it as a duet with a dominatrix robot. Perfect.

Al Pacino as a British colonist, and he's doing the Scarface voice. Oh. My. God.

They don't suck, but they've diluted their brand with so much product without any real growth or diversity that I've stopped caring.

Every episode of Yacht Rock. It gets even funnier with repeated viewings. Almost every line is memorable and worth printing on a t-shirt.

Stereopathetic Soulmanure would have to be his strangest album, with its scattershot R Stevie Mooreisms, alien diary entries and dissonant stoner blues workouts. Vultures is fun, but any album that produces heavy rotation VH-1 hits like Sexxlaws can hardly be considered "strange."

It's like a Christian knock-off of Pixar style animation meets the worst of Deviantart.com.

http://www.youtube.com/watc…

I assumed that the "fiasco" rating was reserved for movies that don't rise to their artistic ambition, but aren't without redeeming qualities, like, say, Run Ronnie Run or Dune. I'm watching a 15 minute supercut of this movie on Youtube and Jesus Christ I understand what Kafka meant about the first sign of…

Linkin Park - Are they the band who does the "Headstrong, I'll take you on" song or the "Let the bodies hit the floor" song?

Over the Neptune/Mesh Gear Fox
Weedking

There were seven shows worse than Brickleberry?

There were seven shows worse than Brickleberry?

The Quinn stuff might have been acceptable if it tied into the main story in some way. Yet not only did it not dovetail back into Dexter story, it ended in the most half-assed way possible. Seriously, you shoot her boss to save her life and she just leaves you a note saying she's going to Vegas, no follow-up, no big…

The Quinn stuff might have been acceptable if it tied into the main story in some way. Yet not only did it not dovetail back into Dexter story, it ended in the most half-assed way possible. Seriously, you shoot her boss to save her life and she just leaves you a note saying she's going to Vegas, no follow-up, no big…

It's a cute teen pop song, but the melody is ass-simple, and the melodic hook isn't very distinctive. I know a lot of music writers from my generation are getting older and have preteen kids, but stop giving stuff like this/Gangnam Style (which is just "Pump Up the Jam" with some dubstep knob twiddling) so much…

It's a cute teen pop song, but the melody is ass-simple, and the melodic hook isn't very distinctive. I know a lot of music writers from my generation are getting older and have preteen kids, but stop giving stuff like this/Gangnam Style (which is just "Pump Up the Jam" with some dubstep knob twiddling) so much…